Contact Zones
«
This comprehensive, interdisciplinary volume will appeal to art historians, scholars of photography and those interested in contemporary European, Latin American and US migration. Individual chapters will be useful for historians of the Croatian, Dominican, German, Irish, Norwegian and Central American diasporas. Contact Zones would make a rich addition to syllabi for undergraduate and graduate courses on US cultural history, migration and transnationalism, and visual media in the Americas. - Erica Toffoli, History of Photography, https://doi.org/10.1080/03087298.2024.2312701
»
Since the mid-nineteenth century photography has had a central place in cultural encounters within and between migrant communities. Migrant histories have been mediated through the photographic image, and the cultural practices of photography have themselves been transformed as migrant communities mobilise the photographic image to navigate experiences of cultural dislocation and the forging of new identities. Les mer
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Contributors: Sarah Bassnett (Western University), David Bate (University of Westminster), Justin Carville (Institute of Art, Design & Technology, Dun Laoghaire), Erina Duganne (University of Texas, Austin), Orla Fitzpatrick (National Museum of Ireland), Bridget Gilman (San Diego State University), Aleksandra Idzior (University of Fraser Valley), Alexandra Irimia (University of Western Ontario), Sandra Krizic Roban (Institute of Art History, Zagreb), Sigrid Lien (University of Bergen), Helene Roth (Ludwig-Maximilians-Universitat Munich), Leslie Urena (Smithsonian National Portrait Gallery)
Detaljer
- Forlag
- Leuven University Press
- Innbinding
- Paperback
- Språk
- Engelsk
- ISBN
- 9789462702523
- Utgivelsesår
- 2021
- Format
- 23 x 16 cm
Anmeldelser
«
This comprehensive, interdisciplinary volume will appeal to art historians, scholars of photography and those interested in contemporary European, Latin American and US migration. Individual chapters will be useful for historians of the Croatian, Dominican, German, Irish, Norwegian and Central American diasporas. Contact Zones would make a rich addition to syllabi for undergraduate and graduate courses on US cultural history, migration and transnationalism, and visual media in the Americas. - Erica Toffoli, History of Photography, https://doi.org/10.1080/03087298.2024.2312701
»