Animating Empire
Automata, the Holy Roman Empire, and the Early Modern World
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“This book, presenting the ‘curiosities’ that we now call automata, unwinds a large network of interconnected early modern phenomena: the fraught world of religious contests, augmented by intense political rivalries; the connections between court centers of power, including connections between Germany and faraway Istanbul and Delhi; and the origins of early princely collecting in ‘curiosity cabinets.’ Here art and nature rivaled each other yet intertwined through technology and craftsmanship, powered by Augsburg watchmakers. Keating’s meticulous research newly restores a nearly vanished art form to its rightful place—as the bearer of cultural values and courtly prestige at the very heart of ceremonial court performances. In the process, she arouses our own fascination, echoing those responses to privileged displays by these moving metal devices as they performed before early modern monarchs.”
—Larry Silver,co-author of Rembrandt’s Faith
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In the sixteenth and seventeenth centuries, German clockwork automata were collected, displayed, and given as gifts throughout the Holy Roman, Ottoman, and Mughal Empires. In Animating Empire, Jessica Keating recounts the lost history of six such objects and reveals the religious, social, and political meaning they held. Les mer
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In the sixteenth and seventeenth centuries, German clockwork automata were collected, displayed, and given as gifts throughout the Holy Roman, Ottoman, and Mughal Empires. In Animating Empire, Jessica Keating recounts the lost history of six such objects and reveals the religious, social, and political meaning they held.
The intricate gilt, silver, enameled, and bejeweled clockwork automata, almost exclusively crafted in the city of Augsburg, represented a variety of subjects in motion, from religious figures to animals. Their movements were driven by gears, wheels, and springs painstakingly assembled by clockmakers. Typically wound up and activated by someone in a position of power, these objects and the theological and political arguments they made were highly valued by German-speaking nobility. They were often given as gifts and as tribute payment, and they played remarkable roles in the Holy Roman Empire, particularly with regard to courtly notions about the important early modern issues of universal Christian monarchy, the Reformation, the Counter-Reformation, the encroachment of the Ottoman Empire, and global trade.
Demonstrating how automata produced in the Holy Roman Empire spoke to a convergence of historical, religious, and political circumstances, Animating Empire is a fascinating analysis of the animation of inanimate matter in the early modern period. It will appeal especially to art historians and historians of early modern Europe.
E-book editions have been made possible through support of the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation.
The intricate gilt, silver, enameled, and bejeweled clockwork automata, almost exclusively crafted in the city of Augsburg, represented a variety of subjects in motion, from religious figures to animals. Their movements were driven by gears, wheels, and springs painstakingly assembled by clockmakers. Typically wound up and activated by someone in a position of power, these objects and the theological and political arguments they made were highly valued by German-speaking nobility. They were often given as gifts and as tribute payment, and they played remarkable roles in the Holy Roman Empire, particularly with regard to courtly notions about the important early modern issues of universal Christian monarchy, the Reformation, the Counter-Reformation, the encroachment of the Ottoman Empire, and global trade.
Demonstrating how automata produced in the Holy Roman Empire spoke to a convergence of historical, religious, and political circumstances, Animating Empire is a fascinating analysis of the animation of inanimate matter in the early modern period. It will appeal especially to art historians and historians of early modern Europe.
E-book editions have been made possible through support of the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation.
Detaljer
- Forlag
- Pennsylvania State University Press
- Innbinding
- Innbundet
- Språk
- Engelsk
- ISBN
- 9780271080024
- Utgivelsesår
- 2018
- Format
- 25 x 20 cm
Anmeldelser
«
“This book, presenting the ‘curiosities’ that we now call automata, unwinds a large network of interconnected early modern phenomena: the fraught world of religious contests, augmented by intense political rivalries; the connections between court centers of power, including connections between Germany and faraway Istanbul and Delhi; and the origins of early princely collecting in ‘curiosity cabinets.’ Here art and nature rivaled each other yet intertwined through technology and craftsmanship, powered by Augsburg watchmakers. Keating’s meticulous research newly restores a nearly vanished art form to its rightful place—as the bearer of cultural values and courtly prestige at the very heart of ceremonial court performances. In the process, she arouses our own fascination, echoing those responses to privileged displays by these moving metal devices as they performed before early modern monarchs.”
—Larry Silver,co-author of Rembrandt’s Faith
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“German clockwork automata are mechanical marvels which, with the winding of a key, come alive to entertain as they dance in place or wheel across a table. Jessica Keating propels us through the fascinating history of these engineering masterpieces. As she lucidly explains, these are much more than luxurious toys.”
—Jeffrey Chipps Smith,author of The Art of the Goldsmith in Late Fifteenth-Century Germany
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“Animating Empire stands to play a significant role in rethinking the different ways that ‘mobility’ registers in the visual and material culture of the early modern world.”
—Shira Brisman caa.reviews
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“A valuable contribution to our understanding of the visual and material culture of the Holy Roman Empire, and the role that objects such as automata played in political machinations and cross-cultural encounters. Keating’s lucid writing, accompanied by high-quality illustrations, animates our ongoing appreciation for these exquisite mechanical marvels.”
—Wenrui Zhao Renaissance Quarterly
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