Making Scenes
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“The volume’s strength is in the breadth and diversity of the contributions that illustrate the numerous approaches being taken to this analytical and interpretive problem. It will be useful for all rock art researchers concerned with interpretation, but also with documentation. Without some understanding of the potential existence of scenes, even the question of tabulating motifs becomes problematic: are the various motifs on a panel individual symbols or are they some combination of a single, symbolic representation? The answer will almost certainly vary from case to case but the many studies in this monograph can provide ideas for how best to resolve this problem.” • Antiquity
“[this is] the first coherent and comparative collection of papers to address the subject of scenes in rock art and is therefore an important addition to our understanding of not just early artmaking but also of images that illustrate a long history of humans interacting and performing in coherent groups.” • Australian Archaeology
“Any reader interested in the question “what makes a scene in rock art?” will find a wonderful array of answers in this book, most of them built from sophisticated theoretical frameworks and applied to worldwide case studies via the use of well-devised and relevant methods. ” • Danae Fiore, Universidad de Buenos Aires
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In this unique volume examining the nature of scenes in rock art, researchers examine what defines a scene, what are the necessary elements of a scene, and what can the evolutionary history tell us about... Les mer
Detaljer
- Forlag
- Berghahn Books
- Innbinding
- Innbundet
- Språk
- Engelsk
- Sider
- 352
- ISBN
- 9781789209204
- Utgivelsesår
- 2021
- Format
- 28 x 22 cm
Anmeldelser
«
“The volume’s strength is in the breadth and diversity of the contributions that illustrate the numerous approaches being taken to this analytical and interpretive problem. It will be useful for all rock art researchers concerned with interpretation, but also with documentation. Without some understanding of the potential existence of scenes, even the question of tabulating motifs becomes problematic: are the various motifs on a panel individual symbols or are they some combination of a single, symbolic representation? The answer will almost certainly vary from case to case but the many studies in this monograph can provide ideas for how best to resolve this problem.” • Antiquity
“[this is] the first coherent and comparative collection of papers to address the subject of scenes in rock art and is therefore an important addition to our understanding of not just early artmaking but also of images that illustrate a long history of humans interacting and performing in coherent groups.” • Australian Archaeology
“Any reader interested in the question “what makes a scene in rock art?” will find a wonderful array of answers in this book, most of them built from sophisticated theoretical frameworks and applied to worldwide case studies via the use of well-devised and relevant methods. ” • Danae Fiore, Universidad de Buenos Aires
»