«With this new book, Zhang has provided an indispensible critical lens through which to discern the dizzying speed of social change and dazzling complexity that characterize the contemporary Chinese condition as symptomatic of ‘the Reagan, Thatcher, and Deng Xiaoping Revolution.’”»

David Leiwei Li, Comparative Literature

«“Xudong Zhang has produced a brilliant and compelling study of the various forces struggling with one another in China during the pivotal decade that followed the failure of the 1989 social movement. Through a deft explication of the complicated factors at play—summed up wonderfully in a clear exposition of the collision between postmodernism and postsocialism—Zhang is able to provide a uniquely nuanced picture of the China that has emerged as such a formidable force in our globalized age.”—Theodore Huters, author of Bringing the World Home: Appropriating the West in Late Qing and Early Republican China»

«“Postsocialism and Cultural Politics is, among many things, both well organised and easy to navigate. . . . [Zhang’s] application of postsocialism to literature and film is deft and nuanced, and proffers arresting insights into the works themselves as well as the socio-political situation they exist in. Zhang's subtle understanding of Deleuze, Adorno, Walter Benjamin, and Derrida underpins his analysis of Chinese literature and film. His examples drawn from the works of Baudelaire, Dickens, nineteenth-century German oil painting, Balzac, and Kafka lends Zhang's work a cosmopolitan quality, and draws parallels beyond the parameters of his subject. Postsocialism and Cultural Politics is a thorough and compelling examination of the socio-political situation in 1990s China.” - Joshua Hoey, M/C Reviews»

«“An extraordinarily rich panorama of the cultural and socio-political debates in China today. Xudong Zhang’s analyses are not only models of theoretical interpretation, the whole book can stand as a triumphant demonstration of the way in which readings of novels, films, social and political texts, and the polemics around them can be positioned to illuminate each other.”—Fredric Jameson, Duke University»

«“Postsocialism and Cultural Politics is, among many things, both well organised and easy to navigate. . . . [Zhang’s] application of postsocialism to literature and film is deft and nuanced, and proffers arresting insights into the works themselves as well as the socio-political situation they exist in. Zhang's subtle understanding of Deleuze, Adorno, Walter Benjamin, and Derrida underpins his analysis of Chinese literature and film. His examples drawn from the works of Baudelaire, Dickens, nineteenth-century German oil painting, Balzac, and Kafka lends Zhang's work a cosmopolitan quality, and draws parallels beyond the parameters of his subject. Postsocialism and Cultural Politics is a thorough and compelling examination of the socio-political situation in 1990s China.”»

Joshua Hoey, M/C Reviews