"With exemplary clarity and critical acumen, Edward Wouk, Helen E. B. Dalton, and Julene Abad Del Vecchio's superb translation of two crucial texts on art by Dominicus Lampsonius, humanist man of letters and painter, demonstrates how this important art theoretician promulgated an alternative historiography of art, and specifically, an alternative to Vasari's Vite, viewing northern workshop practice through the lens of Latin rhetorical and poetic sources, both ancient and modern. This edition of Lampsonius's The Life of Lambert Lombard and Effigies of Several Famous Painters from the Low Countries will prove as canonical as the source texts it now makes widely accessible."--Walter S. Melion, Asa Griggs Candler Professor of Art History, Emory University;; "Readers of this superb volume, which provides an introduction to Dominicus Lampsonius and English translations of two of his theoretical texts, will benefit from Edward Wouk's remarkable erudition, clarity, and insights into European art. Presenting debates about the stakes that gave rise to Lampsonius's publications, Wouk weaves together encounters, collaborations, and connections drawn from letters, texts, stories, language, and the graphic arts. This nuanced retelling of artistic engagement with antiquity, local traditions, and practices on both sides of the Alps creates a dynamic picture of trans-European exchanges, processes of translation, and Netherlandish inventiveness."-- Bronwen Wilson, Professor of Renaissance and Early Modern Art, UCLA;; "Begun as a long-distance conversation with Vasari, whose Lives of the Artists established the modern historiography of art with Italy as its origin and center, Dominicus Lampsonius's writings offer a vital alternative: a decentering counter-history of artistic ideas, practices, techniques and developments flourishing north of the Alps. Edward Wouk's clear and copiously annotated translations of Lampsonius's elusive texts will greatly expand our understanding of the European tradition." -Joseph Leo Koerner, Harvard University ;; “In this book, Edward Wouk generously makes available in English translation two foundational works in the literature of Netherlandish art. Beyond this, he provides a meticulously documented and rigorously argued introduction that significantly advances the revolution in the understanding of elite art in the sixteenth-century Netherlands that has taken place since the publication of Walter Melion’s Picturing the Netherlandish Canon in 1991. The book really is essential reading for everyone seriously interested in this topic.” —Joanna Woodall, The Courtauld Institute of Art