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"Moravian Soundscapes is an important contribution to our understanding of the musical dimension of European religious subcultures in colonial-era North America. . . . Eyerly positions Moravian song and sound at the center of this history and shows how its creators used it to impose order on their social and natural worlds."—Olivia Bloechl, author of Native American Song at the Frontiers of Early Modern Music

"Moravian Soundscapes brings a compelling and necessary new approach to the study of music, sound, space, and colonial encounter in early America. Combining historical research, sound mapping, and autobiographical reflection, Eyerly reveals the way in which listening and singing were integral to European and Native Moravians' understanding of their environments, experiences of faith, and construction of community. In doing so, she offers an intimate exploration of how family, place, and music intertwine."—Glenda Goodman, University of Pennsylvania

"Eyerly's Moravian Soundscapes is a stunning achievement that deftly crosses disciplinary boundaries to offer a compellingly immersive journey into eighteenth century Moravian communities as experienced by German and Native peoples. Woven throughout is Eyerly's own family story, which reminds readers that all history writing gains its fuel in our own more recent pasts."—Rachel Wheeler, Indiana University

"Part personal memoir, mostly deep immersion in the eighteenth-century landscapes where European and Native American ways of being briefly came together, Moravian Soundscapes is a major achievement. With its accompanying website, it comes as close as anyone ever has to re-creating a lost sensory world—and to showing why such a re-creation matters in our own time."—Daniel K. Richter, McNeil Center for Early American Studies, University of Pennsylvania

"Beautifully written and expertly researched, this remarkable volume with its companion digital components will change the way in which the eighteenth-century landscapes of North America's mid-Atlantic are navigated historically, acoustically, and experientially. Through listening to the sounds of history and ethically reconstructing those traces of past acoustic experience, Sarah Eyerly redirects the conversation about Native American and European cultural and linguistic encounter, the consequences of settler colonialism, and religious experience. A must-read for Moravian scholars and musicologists alike!"—Katherine Faull, Bucknell University

"Eyerly accomplishes what few scholars thought possible—creating a 'sonic link' to early America and transporting us into the sensory and spiritual world that German-speaking Moravian missionaries and Native American Christians built and inhabited for a brief time in mid-eighteenth century Pennsylvania. Entering through the portal of her personal connections to this historical aural landscape, Eyerly's marvelous book and its compendium website transform readers into imaginative witnesses and embody a lost knowledge through digital methods, painstaking research, and a sensitive rendering of a place and time full of violence and hope. Moravian Soundscapes is an intellectual, auditory, and emotional revelation."—Patrick Erben, University of West Georgia

"Moravian Soundscapes is a fresh, new kind of history, combining painstaking research, imaginative reconstruction, and technological wizardry. Eyerly's approach to acoustic ecology brings the reader much closer to the historical actors than I had thought possible. Her writing throughout is beautiful, as she weaves her personal story of family and place into her historical narrative, making a persuasive case for history writing as an interactive endeavor."—John Demos, Samuel Knight Professor Emeritus of History, Yale University

"Eyerly's deeply personal connection to the subject matter, her ability to convey an understanding of the culture of the Moravian community without sounding overly didactic, and her meticulous scholarship result in finely crafted prose which evokes a palette of sounds, fragrances, and emotions of the time and space of the early Moravian Pennsylvanian missions."—Kristi Bergland - University of Minnesota, Music Reference Services Quarterly

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