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"Tsiambaos’ exploration of the intertwined trajectories of Doxiadis, whose theory on the use of viewpoints in Ancient Greek architecture kick started his career, and of Pikionis, an architect whose status in twentieth-century Greek architecture amounts to "legendary", makes clear how both men put forward seeing as an act capable of unifying the subject and of bridging the dichotomies and contradictions faced by architecture in a modern world. In more general terms, this book helps to lay bare the complicated relationships that emerged over the course of the twentieth century between history, historiography and design theory." – Maarten Delbeke, Chair for the History and Theory of Architecture, ETH Zurich, Switzerland

"This is a book with many benefits: not only it sheds light on two major Greek architects of the 20th century, who are understudied and poorly known to the Western readership, but also – by doing so – it manages to unveil the complex mechanics of the architectural modernity. In his intelligent analysis of this complexity, Kostas Tsiambaos takes advantage of the apparent opposition between his two heroes – the tradition related Dimitris Pikions and his student (at the National Technical University of Athens) Constantinos Doxiadis, future oriented. This allows him to unravel the subtle threads uniting the two architects, their understanding of space and time, which enabled them to see architecture in its spiritual connection to the world. Exploring these multilayered interactions with history and place (and metaphysics), the book goes beyond the work and thinking of Pikionis and Doxiadis, turning them into inspiring and symptomatic figures of the 20th century architectural modernity." – Carmen Popescu, Professor of Architectural History, Ecole nationale supérieure d'architecture de Bretagne, France

"Playing on the schematism of its title, this book claims that architecture’s ‘theory’ and ‘work’ are intrinsically connected, and so are its pasts and its presents, if Architecture is to keep projecting futures. Weaving a complex web of references, this original reexamination of Pikionis and Doxiadis "in relation" questions those appeasing dualistic histories of architecture that relegate them to a scene of alternative modernism. Here instead they unsettle modernism’s certainties and expose its contradictions, and thus speak to the present of Architecture."

Teresa Stoppani, Professor of Research in Architecture, London South Bank University

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