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Agatha Christie’s Complete Secret Notebooks

Stories and Secrets of Murder in the Making

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'Many of Curran's discoveries will shape how Christie is read in future… This book is fascinating.' INDEPENDENT ON SUNDAY

‘Agatha Christie’s notebooks have had to wait for the meticulous attention, dedication and prodigious knowledge of John Curran to achieve publication.’ THE TIMES

‘A meticulously detailed study that is packed with shrewd perceptions about Christie's fiction… Curran has produced an enthralling miscellany of a book, in which her fans will rummage to their heart's content.' SUNDAY TIMES

'Curran has organized his material as efficiently as an Agatha Christie mystery… His enthusiasm for his subject carries us along.' IRISH TIMES

‘Something unimaginably unique: an unknown Poirot story, one that had lain silently between its covers for over 60 years.’ THE SCOTSMAN

»

Agatha Christie's Complete Secret Notebooks brings together for the first time Secret Notebooks and Murder in the Making, two volumes that explore the fascinating contents of her 73 notebooks. This includes illustrations, deleted extracts, unused ideas, two unpublished Poirot stories and a lost Miss Marple. Les mer

247,-
Paperback
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Agatha Christie's Complete Secret Notebooks brings together for the first time Secret Notebooks and Murder in the Making, two volumes that explore the fascinating contents of her 73 notebooks. This includes illustrations, deleted extracts, unused ideas, two unpublished Poirot stories and a lost Miss Marple.


When Agatha Christie died in 1976, aged 85, she had become the world's most popular author. With sales of more than two billion copies worldwide in more than 100 countries, she had achieved the impossible - more than one book every year since the 1920s, every one a bestseller.


So prolific was Agatha Christie's output - 66 crime novels, 20 plays, 6 romance books under a pseudonym and over 150 short stories - it was often claimed that she had a photographic memory. Was this true? Or did she resort over those 55 years to more mundane methods of working out her ingenious crimes?


Following the death of Agatha's daughter, Rosalind, at the end of 2004, a remarkable secret was revealed. Unearthed among her affairs at the family home of Greenway were Agatha Christie's private notebooks, 73 handwritten volumes of notes, lists and drafts outlining all her plans for her many books, plays and stories. Buried in this treasure trove, all in her unmistakable handwriting, are revelations and details that will fascinate anyone who has ever read or watched an Agatha Christie story.


Christie archivist and expert John Curran leads the reader through the six decades of Agatha Christie's writing career, unearthing some remarkable clues to her success and a number of never-before-published excerpts and stories from her archives. This book features Agatha's original ending of her very first book, The Mysterious Affair at Styles, painstakingly transcribed from her notebooks. It also includes a number of short stories from the archives reproduced in full, including the unpublished The Man Who Knew, How I Created Hercule Poirot, and an early draft for a Miss Marple story, The Case of the Caretaker's Wife.

Detaljer

Forlag
HarperCollins
Innbinding
Paperback
Språk
Engelsk
ISBN
9780008129637
Utgivelsesår
2020
Format
22 x 14 cm

Anmeldelser

«

'Many of Curran's discoveries will shape how Christie is read in future… This book is fascinating.' INDEPENDENT ON SUNDAY

‘Agatha Christie’s notebooks have had to wait for the meticulous attention, dedication and prodigious knowledge of John Curran to achieve publication.’ THE TIMES

‘A meticulously detailed study that is packed with shrewd perceptions about Christie's fiction… Curran has produced an enthralling miscellany of a book, in which her fans will rummage to their heart's content.' SUNDAY TIMES

'Curran has organized his material as efficiently as an Agatha Christie mystery… His enthusiasm for his subject carries us along.' IRISH TIMES

‘Something unimaginably unique: an unknown Poirot story, one that had lain silently between its covers for over 60 years.’ THE SCOTSMAN

»

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