Adopting the term "e;new death,"e; which was used to describe the unprecedented andhorrific scale of death caused by the First World War, Pearl James uncovers several touchstones ofAmerican modernism that refer to and narrate traumatic death. The sense of paradox was pervasive:death was both sanctified and denied; notions of heroism were both essential and far-fetched;and civilians had opportunities to hear about the ugliness of death at the front but often preferrednot to. By historicizing and analyzing the work of such writers as Willa Cather, Ernest Hemingway,F. Scott Fitzgerald, and William Faulkner, the author shows how their novels reveal, conceal,refigure, and aestheticize the violent death of young men in the aftermath of the war. Thesewriters, James argues, have much to say about how the First World War changed death's culturalmeaning.