Romeo and Juliet

Original Text

Kong Lear

Shakespeare’s Mirrors

Reading Richard III and the Tower of London

Shakespeare in the Theatre: Shakespeare Theatre Company

Reading the River in Shakespeare's Britain

Revisiting Shakespeare’s Italian Resources

Memory and Reuse

Ghostwriter

Shakespeare, Literary Landmines, and an Eccentric Patron's Royal Obsession

Shakespeare’s First Folio 1623-2023

Text and Afterlives

Shakespeare / Play

Contemporary Readings in Playing, Playmaking and Performance

Globe in Print

The Book of the Play in the Age of Shakespeare

Shakespeare in the Theatre: Tina Packer

Fair or Foul

The Lady Macbeth Guide to Ambition

Shakespeare in the Theatre: The Stratford Festival

Local/Global Shakespeare and Advertising

Shakespeare's Liminal Spaces

Contesting Authority on the Early Modern Stage

Shakespeare's Goddess

The Divine Feminine on the English Stage

Venus and Adonis

Much Ado About Numbers

Water and Cognition in Early Modern English Literature

Twelfth Night

Shakespeare's First Folio: All The Plays

A Children's Edition

Staging Disgust

Rape, Shame, and Performance in Shakespeare and Middleton

Xueqin and Xakespeare

Reading The Story of the Stone through Hamlet

100 for 100 – Macbeth: 100 days. 100 revision activities

Arden Research Handbook of Shakespeare and Adaptation

Big Life

The Ska Musical

Disavowing Authority in the Shakespeare Classroom

Under the Greenwood Tree

A Celebration of Kentucky Shakespeare

Literature's Critique, Subversion, and Transformation of Justice

Hamlet

Staged: the origins of YA’s greatest tropes

Teaching and Learning Shakespeare through Theatre-based Practice

Macbeth

Staged: the origins of YA’s greatest tropes

Midsummer Night's Dream

Shakespeare's Once and Future Child

Speculations on Sovereignty

Sleep No More and the Discourses of Shakespeare Performance