Xueqin and Xakespeare

Reading The Story of the Stone through Hamlet

Nye

Lonely Londoners

Cowboys and Lesbians

EU Killed My Dad

Merry Wives of Windsor

The New Oxford Shakespeare

Romeo and Juliet, Adaptation and the Arts

'Cut Him Out in Little Stars'

Shed: Exploded View

This Might Not Be It

Macbeth

Staged: the origins of YA’s greatest tropes

Tragicomedy

Twelfth Night

Samuel Takes a Break

in Male Dungeon No. 5 After a Long but Generally Successful Day of Tours

Wasps and Other Plays

A new verse translation, with introduction and notes

French Theatre, Orientalism, and the Representation of India, 1770-1865

India Lost and Regained

Shakespeare on the Ecological Surface

Macbeth (an undoing)

Mountaintop

From Playtext to Performance on the Early Modern Stage

How Did They Do It?

Till the Stars Come Down

Opheliamachine

Ryan Craig: Plays Against the Tide

The Holy Rosenbergs; Filthy Business; What We Did to Weinstein; Charlotte and Theodore

Shakespeare's Law

Opheliamachine

Jocelyn Bioh: Three Plays

Merry Wives; Nollywood Dreams; School Girls, or, the African Mean Girls Play

Don't. Make. Tea.

Peggy Webling and the Story behind Frankenstein

The Making of a Hollywood Monster

Mountaintop

Song for Ella Grey

Isidlamlilo / The Fire Eater

A play

Marina Carr and Greek Tragedy

Feminist Myths of Monstrosity

Trial, Metamorphosis, In the Penal Colony

Three Theatre adaptations from Franz Kafka

Northanger Abbey

Hills of California

Dancehall In/Securities

Perspectives on Caribbean Expressive Life

Marginality Beyond Return

US Cuban Performances in the 1980s and 1990s

Two Plays

"The Grand Exit" and "A Conversation with Dolly"

Shakespeare on the Ecological Surface

Instructions for a Teenage Armageddon

Double Feature

Odyssey

(It's a Really Really Really Long Journey)

Jekyll and Hyde

EU Killed My Dad

As You Like It

The New Oxford Shakespeare

Audrey or Sorrow

Ubu Royale

Plays from Contemporary Hungary: ‘Difficult Women’ and Resistant Dramatic Voices

Prah, Prime Location, Sunday Lunch, the Dead Man, the Bat

Two Sisters

Eugene O'Neill's Philosophy of Difficult Theatre

Pity, Fear, and Forgiveness

Plays from Contemporary Hungary: ‘Difficult Women’ and Resistant Dramatic Voices

Prah, Prime Location, Sunday Lunch, The Dead Man, The Bat

Commedia dell’Arte for the 21st Century

Practice and Performance in the Asia-Pacific

Rock 'n' Roll

Under the Greenwood Tree

A Celebration of Kentucky Shakespeare

R.U.R. and the Vision of Artificial Life

Cake & Prostheses

mini dramas and short prose

Plays from Contemporary Hungary: ‘Difficult Women’ and Resistant Dramatic Voices

Prah, Prime Location, Sunday Lunch, The Dead Man, The Bat

"Maili Chadar, or The Stained Shawl" and "Truth and Justice"

Two Plays

Shakespeare on the Ecological Surface

Decadent Plays: 1890–1930

Salome; The Race of Leaves; The Orgy: A Dramatic Poem; Madame La Mort; Lilith; Ennoïa: A Triptych; The Black Maskers; La Gioconda; Ardiane and Barbe Bleue or, The Useless Deliverance; Kerria Japonica; The Dove

Chicken

Romeo and Juliet

Odyssey

(It'S a Really Really Really Long Journey)

Lonely Londoners

My Neighbour Totoro

Nachtland

Wish You Weren't Here

Song of the Season

Outstanding Broadway Songs Since 1891

Posh

Marina Carr and Greek Tragedy

Feminist Myths of Monstrosity

Northanger Abbey

Wilde in the Dream Factory

Decadence and the American Movies

Romeo and Juliet

Staged: the origins of YA’s greatest tropes