Peter og ulven

Ludwig van Beethoven

Ajanta

Remarkable Life, Death, and Afterlife of an Ordinary Roman

A Social History

Music at World's End

Three Exiled Musicians from Nazi Germany and Austria and Their Contribution to Music in Iceland

Audible Loss

New Music and the Crisis of Memory

Frederick Ashton's Ballets

Style, Performance, Choreography

Luigi Dallapiccola, America, and the Unlocking of Visionary Creativity

Microjazz for Absolute Beginners

Re-Reading the Beethoven Violin Sonatas

Beethoven's Conversation Books Volume 5

Nos. 44 to 59 (October 1823 to March 1824)

Beethoven in the Age of Schiller, Goethe, and Kant

Music for Modern Times

International Who’s Who of Classical Music 2025

Concert Composer’s Business Handbook

Persia - Ancient Iran and the Classical World

Oxford History of the Archaic Greek World

Volume IV: Cyrene to Metapontion

Mestermøter

Franz Liszt, Richard Wagner : vennskap, konflikt og samhold

Piano Sonatas, Volume 2

Schirmer Performance Editions

Eight Symphonic Masterworks of the Twentieth Century

A Study Guide for Conductors

Dance, Ageing and Collaborative Arts-Based Research

Homer's Living Language

Formularity, Dialect, and Creativity in Oral-Traditional Poetry

Language of Architectural Classicism

From Looking to Seeing

Berlioz and His World

Raising the Roof

A Dazzling History of Classical Music and its Colourful Characters

Charles Villiers Stanford: Man and Musician

Revised and Expanded Edition

Pierre Boulez: Organised Delirium

Cognate Music Theories

The Past and the Other in Musicology (Essays in Honor of John Walter Hill)

Dance Partnering Basics

Practical Skills and Inclusive Pedagogy

Business of Ballet

Diaghilev’s Ballets Russes between Profit and the Avant-garde

She Played and Sang

Jane Austen and Music

Revisiting the Historiography of Postwar Avant-Garde Music

Goethes Gartenhaus

Skin Colored Pointes

Interviews with Women of Color in Ballet

Oxford Handbook of Palmyra

Opera in the Viennese Home from Mozart to Rossini

Personal Names in Cuneiform Texts from Babylonia (c. 750–100 BCE)

An Introduction