Performance Studies Reader

Art Against Authoritarianism in Southwest Asia and North Africa

Performance Now

Cold War Asia

A Visual History of Global Diplomacy

Phenomenology of Blood in Performance Art

Consent in Shakespeare's Classical Mediterranean

Women Speak Truth to Power

Vladimir Nemirovich-Danchenko and the Moscow Art Theatre

Contemporary Performance and Political Economy

Oikonomia as a New Ethico-Political Paradigm

At the Threshold

Contemporary Theatre, Art, and Music of Iran

Shakespeare and Neurodiversity

Butoh, as Heard by a Dancer

Stanislavsky and Gender

Performing Climates

Idea of Audience

Artists and the Task of Audience Development in the Era of Creative Industries

Text as Dance

Walter Benjamin, Louis Marin and Choreographies of the Baroque

Semiotics of Performances

An Introduction to the Analysis, Interpretation, and Theory of the Performing Arts

Tilt Pause Shift – Dance Ecologies in India

Edges of Ailey

Dancer's Handbook

A Practical Guide to Reimagining Dance, Body, and Society by OFEN Co-Arts

Immersive Storytelling and Spectatorship in Theatre, Museums, and Video Games

Embodied Translation

'Lost' legacies of performer training

Stranger within

Til stede

essay

Get the Picture

A Mind-Bending Journey among the Inspired Artists and Obsessive Art Fiends Who Taught Me How to See

Breaking Protocol

Human Touch

Redefining the Art of British Contemporary Improvisational Theatre

Relational Improvisation

Music, Dance and Contemporary Art

Sophia Robot

Post Human Being

Contemporary Farce on the Global Stage

or, Serious Laughter

Milestones in Staging Contemporary Genders and Sexualities

Performing Grief in Pandemic Theatres

Aeschylus' Oresteia

Translation and Theatrical Commentary

Sleep No More and the Discourses of Shakespeare Performance

Geographies of Us

Ecosomatic Essays and Practice Pages

Joan Jonas

Routledge Companion to Performance-Related Concepts in Non-European Languages