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Reconceiving the Renaissance

A Critical Reader

«it contains a wide-ranging and judicious selection of critical and theoretical writings published in the last twenty-five years or so.»

Richard Meek, MLR

Attending to different approaches, this volume offers a theoretical overview of thinking about the period that have transformed the field of Renaissance studies. Presenting the classic and cutting-edge statements which define early modern scholarship, it is aimed at undergraduates and postgraduates alike. Les mer

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Attending to different approaches, this volume offers a theoretical overview of thinking about the period that have transformed the field of Renaissance studies. Presenting the classic and cutting-edge statements which define early modern scholarship, it is aimed at undergraduates and postgraduates alike.

Detaljer

Forlag
Oxford University Press
Innbinding
Paperback
Språk
Engelsk
ISBN
9780199265572
Utgivelsesår
2005
Format
25 x 17 cm

Om forfatteren

Ewan Fernie (born 1971) won the James Elliott prize for his 1994 first-class degree from the University of Edinburgh, where he also achieved the Lanfine Bursary in English, the Horsliehill-Scott Bursary in Philosophy and a number of other prizes. He is Lecturer in Shakespeare at Royal Holloway, University of London.

Ramona Wray is Lecturer at the School of English, Queen's University, Belfast. She has published Women Writers of the Seventeenth Century (Northcote House, 2003) and has co-edited Shakespeare and Ireland: History, Politics, Culture (Macmillan, 1997) and Shakespeare, Film, Fin de Siecle (Macmillan, 2000).

Mark Thornton Burnett is Professor of Renaissance Studies at Queen's University, Belfast, and Director of the Kenneth Branagh Archive. He is the author of Masters and Servants in English Renaissance Drama and Culture and Constructing 'Monsters' in Shakespearean Drama and Early Modern Culture, and the editor of Christopher Marlowe: The Complete Plays and Christopher Marlowe: The Complete Poems.

Clare McManus is Lecturer in English at Queen's University, Belfast. Her research focuses on early modern European theatre and performance, and in particular on women's performance and cultural production. She is the author of Women on the Renaissance Stage: Anna of Denmark and Female Masquing in the Stuart Court (1590-1619). She is also editor of Women and Culture at the Courts of the Stuart Queens.

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«it contains a wide-ranging and judicious selection of critical and theoretical writings published in the last twenty-five years or so.»

Richard Meek, MLR

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