«A timely intervention in academic debates and visual productions that challenges the reader to rethink familiar concepts (e.g., nation, masculinity, environment) and reconfigure relationships between cinema and other arts. A must-read for those interested in the expert judgment of a leading voice in the field.»

Yingjin Zhang, University of California, San Diego, USA

«In a world ravaged by pandemics, ecological degradation, sexual violence, racial assaults, territorial disputes, and trade wars, Sheldon Lu’s book makes a critical intervention into ongoing debates about China by focusing on the notion of the “nation” in cinema and related visual arts. Absolutely essential reading.»

Gina Marchetti, University of Hong Kong, Hong Kong

«Sheldon Lu has contributed significantly to the study of Chinese language cinema, literature, and visual arts over the years, and initiated important concepts such as transnational cinema which has become an indispensable framework for scholars and students to look at Chinese cinema, world cinemas, and visual culture. His latest book covers a broad array of visual and artistic medium: film, painting, graffiti, photography, architecture, installation, performance and poetry. It is illustrated with photographs of artworks and stills from films which contribute to the understanding of the text. This book brings the subject matter alive and up to date, revealing the diversity and vibrancy of Chinese aesthetic culture for readers.»

Stephen Teo, Nanyang Technological University, Singapore

«As the originator of the transnational concept, Sheldon Lu is the most able scholar to probe the vagaries of national cinema in China, Hong Kong and Taiwan. We tend to think of globalisation and nationalism as antithetical forces, but Lu presents case after case of how nationalism is aided and abetted by globalisation and transnationalism. China’s film and visual culture carry the aims of patriotic ideologues, but also present visions of individual struggles against repression, inequality and patriarchy. Contemporary Chinese Cinema and Visual Culture is an incisive, expansive intervention into China’s global figurations.»

Emilie Yueh-yu Yeh, Lingnan University, Hong Kong