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Cognition, Culture, and the Arts

Interdisciplinary Perspectives on Narrating, Understanding, and Reading

The aim of the volume is to show in which sense the study of culture, literature and the arts can contribute to a better understanding of human cognition. The collection of essays is questioning whether culture is exclusively human and discusses evolutionary substrates of narrative and the interfaces between culture, stories and cognition. Les mer

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The aim of the volume is to show in which sense the study of culture, literature and the arts can contribute to a better understanding of human cognition. The collection of essays is questioning whether culture is exclusively human and discusses evolutionary substrates of narrative and the interfaces between culture, stories and cognition. The contributions examine the cognitive strengths and weaknesses of literary reading and analyse other techniques of sense-making in the arts through imagined dialogues and the experience of ambiguity. The final contributions are dealing with musical cognition, the relation between music, aesthetics and cognition.

Detaljer

Forlag
Peter Lang AG
Innbinding
Innbundet
Språk
Engelsk
Sider
132
ISBN
9783631861264
Utgivelsesår
2021
Format
21 x 15 cm

Om forfatteren

Peter Hanenberg is a Professor for German and Culture Studies at Universidade Catolica Portuguesa in Lisbon, vice rector for research and innovation and director of CADOS, Catolica Doctoral School. He coordinates the research group on cognition and translatability at the Research Centre for Communication and Culture in Lisbon. His research focuses on the literary representation of the idea of Europe and on the intersection of cognition and culture.



Wolfgang Hallet is a former Professor of Teaching English as a Foreign Language at Justus Liebig University Giessen, Germany. He was a founding member of the Executive Board of the International Graduate Centre for the Study of Culture and the Head of its Teaching Centre. In literary studies he has researched and published on contemporary novels, the spatial turn, the multimodal novel, and methodologies of intermediality and multimodality.

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