This book is not concerned with the use of Freudian concepts for the interpretation of literary and artistic works. Rather,
it is concerned with why this interpretation plays such an important role in demonstrating the contemporary relevance of psychoanalytic
concepts. In order for Freud to use the Oedipus complex as a means for the interpretation of texts, it was necessary first
of all for a particular notion of Oedipus, belonging to the Romantic reinvention of Greek antiquity, to have produced a certain
idea of the power of that thought which does not think, and the power of that speech which remains silent. From this it does
not follow that the Freudian unconscious was already prefigured by the aesthetic unconscious. Freud's 'aesthetic' analyses
reveal instead a tension between the two forms of unconscious. In this concise and brilliant text Ranciere brings out this
tension and shows us what is at stake in this confrontation.