Photography and Its Violations
«Photography and Its Violations poses a world-transforming ethical challenge to photography's makers, subjects, and viewers alike: to reveal or conceal the exercise of power. Armed with John Roberts's insights into the often insidious, sometimes enfranchising, always intricate interplay of these two opposing violations, sensitive readers will be empowered and emboldened as they battle for position amid the tsunami of photographs that has come to define our world. -- Blake Stimson, University of Illinois at Chicago, author of The Pivot of the World: Photography and Its Nation I know of no other work in photographic history or theory which takes such a wide survey of well-chosen examples in service of making profound and provocative sense of the whole field of photography. This book also successfully proposes a genuinely novel position from which to re-engage the most pressing, important, and persistent problems of photography. -- Tom Huhn, School of Visual Arts»
Theorists critique photography for "objectifying" its subjects and manipulating appearances for the sake of art. In this bold counterargument, John Roberts recasts photography's violating powers of disclosure and aesthetic technique as part of a complex "social ontology" that exposes the hierarchies, divisions, and exclusions behind appearances. Les mer
In this game-changing work, Roberts refunctions photography's place in the world, politically and theoretically restoring its reputation as a truth-producing medium.
Detaljer
- Forlag
- Columbia University Press
- Innbinding
- Innbundet
- Språk
- Engelsk
- ISBN
- 9780231168182
- Utgivelsesår
- 2014
- Format
- 23 x 15 cm
Anmeldelser
«Photography and Its Violations poses a world-transforming ethical challenge to photography's makers, subjects, and viewers alike: to reveal or conceal the exercise of power. Armed with John Roberts's insights into the often insidious, sometimes enfranchising, always intricate interplay of these two opposing violations, sensitive readers will be empowered and emboldened as they battle for position amid the tsunami of photographs that has come to define our world. -- Blake Stimson, University of Illinois at Chicago, author of The Pivot of the World: Photography and Its Nation I know of no other work in photographic history or theory which takes such a wide survey of well-chosen examples in service of making profound and provocative sense of the whole field of photography. This book also successfully proposes a genuinely novel position from which to re-engage the most pressing, important, and persistent problems of photography. -- Tom Huhn, School of Visual Arts»