Confessional Video Art and Subjectivity
Private Experiences in Public Spaces
«
A compelling exploration of how contemporary confessional video art complicates the intersections of subjectivity, privacy and public space. Jaye Early astutely connects Foucauldian analysis with recent
» Sean Lowry, Associate Professor and Head of Critical and Theoretical Studies, Victorian College of t
video art practices to offer profound insights into contested relationships between private
experience and public expression in a media-saturated world.
This is the first book of its kind to examine the development of the confessional subject in video art and demonstrate how it can provide a vital platform for navigating the politics of self, subjectivity, and resistance in society. In doing so, it reframes video art – the most ubiquitous and yet most understudied art form of recent decades – as an urgent socio-political tool that is increasingly popular among contemporary artists as a means of exploring a broad range of social issues, from politics and identity, to the body and technologies of self-representation.
Les merThis is the first book of its kind to examine the development of the confessional subject in video art and demonstrate how it can provide a vital platform for navigating the politics of self, subjectivity, and resistance in society. In doing so, it reframes video art – the most ubiquitous and yet most understudied art form of recent decades – as an urgent socio-political tool that is increasingly popular among contemporary artists as a means of exploring a broad range of social issues, from politics and identity, to the body and technologies of self-representation.
Analysing a diverse selection of case studies from the 1960s up to the present day, covering the work of Yoko Ono, Gillian Wearing, Ryan Trecartin, Tracey Emin, Anatasia Klose, and Heath Franco, among others, the book brings together theory and practice to look afresh at contemporary video art through a Foucauldian lens. It also brings the analysis of video art up to date by showing how social media and digital self representation has informed and further politicized time-based art practices.
Confessional Video Art and Subjectivity shows how forms of confessional discourse not only play an important function in the construction of subjectivity but also open spaces for personal resistance and agency within contemporary video art. As a result, it offers researchers of contemporary art practice, and media and cultural studies, an updated framework through which to view this constantly-evolving genre and a deeper understanding of wider contemporary video practices.
Detaljer
- Forlag
- Bloomsbury Visual Arts
- Innbinding
- Innbundet
- Språk
- Engelsk
- Sider
- 184
- ISBN
- 9781350400207
- Utgivelsesår
- 2025
- Format
- 23 x 16 cm
Om forfatteren
Jaye Early is a Lecturer in the School of Art & Design at UNSW Sydney, Australia.
Anmeldelser
«
A compelling exploration of how contemporary confessional video art complicates the intersections of subjectivity, privacy and public space. Jaye Early astutely connects Foucauldian analysis with recent
» Sean Lowry, Associate Professor and Head of Critical and Theoretical Studies, Victorian College of t
video art practices to offer profound insights into contested relationships between private
experience and public expression in a media-saturated world.
«This timely book explores the confessional subject within contemporary video art, offering a new framework by which to understand this genre of media art as a socio-political tool for navigating the politics of self, subjectivity and resistance in society.»
Ina Blom, Professor, Department of Philosophy, Classics, History of Art and Ideas, University of Osl
«Provides a fascinating review of confessional video art and its theoretical contexts, informed by active practice in the field. He highlights the potential of an increasingly pervasive form of self-representation to elude the regulatory limitations imposed on subjectivity by power.»
Dr Matt Huppatz, Lecturer in Contemporary Art, South Australian School of Art, University of South A
«This inspired contribution engages Foucault’s late theories of “technologies of the self” with the burgeoning digital landscape of confessional art video in recent decades, especially in the U.S. and the U.K, offering lively accounts of the author’s own artworks amongst many others.’»
Thomas Waugh, Distinguished Professor Emeritus, School of Cinema, Concordia University, Montreal, Qu