«Deleuze and the Map-Image: Aesthetics, Information, Code, and Digital Art gives a thorough analysis of Deleuze’s conceptualization of mapping and its formative presence in digital aesthetics. Zdebik charts a path into a domain of contemporary art practice in which digital technologies and Deleuze's thinking operate in concert. Further, his theorization of the map-image provides a refreshing new avenue by which to reconsider the critical roots and philosophical importance of digital art.»

Amanda Boetzkes, Professor of Contemporary Art History and Theory, University of Guelph, Canada

«Deleuze and the Map-Image counts among the most exciting and provocative studies we have on Deleuze, art, and new media. Working with a panoply of artists and objects, Jakub Zbedik discerns in new modes of mediation, in digital aesthetics, and in posthuman theory a common and even pervasive cartographic imperative.»

Tom Conley, Abbott Lawrence Lowell Professor of Visual and Environmental Studies and of Romance Lang