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Maud Martha (Faber Editions)

'I loved it and want everyone to read this lost literary treasure.' Bernardine Evaristo

«'Alive, reaching, and very much of today.'- Langston Hughes

'One of the most spatially poetic novels ever ... Awesome.' - Eileen Myles»

'Such a wonderful book. Utterly unique, exquisitely crafted and quietly powerful. I loved it and want everyone to read this lost literary treasure.' Bernardine Evaristo
'Maud Martha finds beauty in the brutal formative moments that make us. Les mer

145,-
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'Such a wonderful book. Utterly unique, exquisitely crafted and quietly powerful. I loved it and want everyone to read this lost literary treasure.' Bernardine Evaristo
'Maud Martha finds beauty in the brutal formative moments that make us. It is one of my favorite depictions of how a woman comes to trust her eyes.' Raven Leilani
'The quotidian rises to an exquisite portraiture of black womanhood in the hands of one of America's most foundational writers.' Claudia Rankine
'Maud Martha reveals the poetry, power and splendor of an ordinary life.' Tayari Jones
'Incredible ... She is a quietly radical seer, she is literature itself, a person in the world. It's a rare kind of perfect!' Max Porter

What, what, am I to do with all of this life?

Maud Martha Brown is a little girl growing up on the South Side of 1940s Chicago. Amidst the crumbling taverns and overgrown yards, she dreams: of New York, romance, her future. She admires dandelions, learns to drink coffee, falls in love, decorates her kitchenette, visits the Jungly Hovel, guts a chicken, buys hats, gives birth. But her lighter-skinned husband has dreams too: of the Foxy Cats Club, other women, war. And the 'scraps of baffled hate' - a certain word from a saleswoman; that visit to the cinema; the cruelty of a department store Santa Claus- are always there .

Written in 1953 but never published in Britain, Maud Martha is a poetic collage of happenings that forms an extraordinary portrait of an ordinary life: one lived with wisdom, humour, protest, rage, dignity, and joy.

Detaljer

Forlag
Faber & Faber
Innbinding
Paperback
Språk
Engelsk
Sider
144
ISBN
9780571373253
Utgivelsesår
2022
Format
20 x 13 cm

Om forfatteren

Gwendolyn Brooks (1917 - 2000) was an American poet, educator, and civil rights activist based in Chicago. Her first collection, A Street in Bronzeville (1945), was greeted with critical acclaim and a Guggenheim fellowship. Annie Allen (1949) won the Pulitzer Prize in 1950, making her the first ever Black author to do so; and her only novel, Maud Martha, was published in 1953. In The Mecca (1968) was nominated for the National Book Award, the same year she was appointed Poet Laureate of Illinois. Brooks was an inspiring role model and active participant in the 1960s and 1970s Black Arts Movement, leaving an international house to join the up-and-coming Black publisher Broadside Press. In 1976, she became the first Black woman inducted into the American Academy of Arts and Letters; and in 1985, the first to become Library of Congress Consultant in Poetry. She also published two volumes of autobiography and a book for children, and won a National Endowment for the Arts Lifetime Achievement Award. In 1939, Brooks had married Henry Lowington Blakely, Jr, whom she met after joining Chicago's NAACP Youth Council, and they had two children. Throughout her life, Brooks taught young writers and held numerous academic posts - she was awarded over seventy honorary degrees - and became a professor of English at Chicago State University in 1990 until her death in 2000.

Margo Jefferson is the winner of a Pulitzer Prize for criticism. She previously served as book and arts critic for Newsweek and the New York Times, and her writing has appeared in Vogue, New York Magazine and The Nation. Her memoir, Negroland, received the National Book Critics Circle Award for Autobiography, and she is also the author of On Michael Jackson. Jefferson is currently a professor of writing at Columbia University School of the Arts.

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«'Alive, reaching, and very much of today.'- Langston Hughes

'One of the most spatially poetic novels ever ... Awesome.' - Eileen Myles»

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