Egon Wellesz studied music only briefly with Arnold Schoenberg but remained forever captivated by his personality. Yet, unlike
Alban Berg or Anton Webern, he never wholly succumbed to his master but developed his own style: in the 1920s he emerged as
a distinctive opera composer, and after emigrating to Britain in 1938 became a prolific symphonist who also produced sensitive
settings of English poetry. Schoenberg resented this lack of loyalty, and not only refused to acknowledge Wellesz as a pupil
but rather directed at him some intemperate outbursts. Moreover, Schoenberg's general mistrust of musicologists extended to
Wellesz, who had trained at Vienna University with Guido Adler and later helped to shape the study of music in British universities.
Yet, as the first biographer, Wellesz did much to promote Schoenberg's cause, especially in France and England. Bojan Bujic
weaves these strands together in a masterly and meticulously researched account of a fraught relationship that brings into
focus the outstanding intellectual and musical currents of the day in both Austria and Britain.