The Pre-history of 'The Midsummer Marriage'
Narratives and Speculations
Leveringstid: Sendes innen 7 virkedager
På grunn av Brexit-tilpasninger og tiltak for å begrense covid-19 kan det dessverre oppstå forsinket levering.
Drawing on a fascinating group of Tippett's sketchbooks and a lengthy sequence of his letters to Douglas Newton, it helps construct a narrative of the Tippett-Newton collaboration and provides insights into the devising of the opera's plot, both in that early phase and in the phase from 1946 onwards when Tippett went on with the project alone.
The book asks: who was Newton, and what kind of collaboration did he have-then cease to have- with Tippett?
What were the origins of and shaping factors behind the original scenario and libretto-drafts?
How far did the narrative and controlling concepts of Midsummer Marriage in its final form tally with-and how far did they move away from-those that had been set up in the years of the two men's collaboration, the 'pre-historic' years?
The book will be of particular interest to scholars and researchers in opera studies and twentieth-century music.
Preface and Acknowledgements
I. Michael Tippett and Douglas Newton to 1943
II. Plotting a Masque: 'Refashioning the Traditions'
III. Collaboration on the Masque, 1943-44
IV. The Act II Scenario, circa February 1944
V. Friends' Reactions and Progress of the Collaboration, 1944-46
VI. New Directions (Newton solus)
VII. Fresh Beginnings and Continuities (Tippett solus)
VIII. Echoes and Foreshadowings
Appendix I. Four poems by Douglas Newton
II. Newton, Bibliography to 1956
III. Tippett, the British Library Sketchbooks
Index of Names