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Read My Plate

The Literature of Food

«Deborah R. Geis expands our understanding of the literature of food, both in terms of genre and of methods to approach a portion of food writing. Her delicate explication of food memoir and performance art through lenses of gender, race, and migration melds with treatment of more traditional texts of fiction and poetry to yield a deeply empathetic contemplation about food’s personal and political resonance.»

Miriam Mara, Arizona State University

Whether perusing a recipe or learning what a literary character eats, readers approach a text differently when reading about food. Read My Plate: The Literature of Food explores what narrators and characters (in fiction, in performance, and in the popular genre of the “food memoir”) cook and eat. Les mer

1469,-
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Whether perusing a recipe or learning what a literary character eats, readers approach a text differently when reading about food. Read My Plate: The Literature of Food explores what narrators and characters (in fiction, in performance, and in the popular genre of the “food memoir”) cook and eat. Beat poet Allen Ginsberg, the inmates of the Terezin concentration camp, performance artist Karen Finley, novelist Jhumpa Lahiri, playwright Suzan-Lori Parks, and the celebrated chef-turned-travel-journalist Anthony Bourdain are just a few examples of the writers whose works are discussed. Close readings of the literal and figurative “plates” in these texts allow a unique form of intimate access to the speakers’ feelings and memories and helps readers to understand more about how the dynamics of race, ethnicity, gender, religion, and social class affect what the narrators/characters eat, from tourtière to collard greens to a school lunch bento box.

Detaljer

Forlag
Lexington Books
Innbinding
Innbundet
Språk
Engelsk
ISBN
9781498574433
Utgivelsesår
2019
Format
23 x 16 cm

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«Deborah R. Geis expands our understanding of the literature of food, both in terms of genre and of methods to approach a portion of food writing. Her delicate explication of food memoir and performance art through lenses of gender, race, and migration melds with treatment of more traditional texts of fiction and poetry to yield a deeply empathetic contemplation about food’s personal and political resonance.»

Miriam Mara, Arizona State University

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