Hans Haacke - 
      Rachel Churner
    
      Charles F. Stevens
    
      Norbert Schwarz
    
      Jack Burnham
    
      Yve-Alain Bois
    
      Leo Steinberg
    
      Benjamin H. D. Buchloh
    
      Rosalyn Deutsche
    
      Luke Skrebowski
    
      Edward F. Fry
    
      Walter Grasskamp
    
      Douglas Crimp
    
      Rosalind E. Krauss
    
      Sam Durant
    
      Jack McGrath

Hans Haacke

Rachel Churner (Redaktør) ; Charles F. Stevens (Redaktør) ; Norbert Schwarz (Redaktør) ; Jack Burnham (Innledning) ; Yve-Alain Bois (Innledning) ; Leo Steinberg (Innledning) ; Benjamin H. D. Buchloh (Innledning) ; Rosalyn Deutsche (Innledning) ; Luke Skrebowski (Innledning) ; Edward F. Fry (Innledning) ; Walter Grasskamp (Innledning) ; Douglas Crimp (Innledning) ; Rosalind E. Krauss (Innledning) ; Sam Durant (Innledning) ; Jack McGrath (Innledning)

Critical texts that span almost fifty years, mapping Haacke's progression from engagement with biological systems to interrogation of the social and economic underpinnings of art.

For five decades, the artist Hans Haacke (b. Les mer
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(Paperback)
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Critical texts that span almost fifty years, mapping Haacke's progression from engagement with biological systems to interrogation of the social and economic underpinnings of art.

For five decades, the artist Hans Haacke (b. 1936) has created works that explore the social, political, and economic underpinnings of the production of art. His works make plain the hidden and not-so-hidden agendas of those-from Cartier to David Koch-who support art in the service of industry; they expose such inconvenient social and economic truths as the real estate holdings of Manhattan slumlords, and the attempts to whitewash support for the Nazi regime, apartheid, or the war on terror through museum donations.

This book gathers interviews, difficult-to-find essays, cornerstones of institutional critique, and new critical approaches by writers that include Benjamin H. D. Buchloh, Jack Burnham, Rosalyn Deutsche, and Leo Steinberg. Haacke's 1971 Guggenheim exhibition was famously canceled when the artist refused to withdraw several proposed works, including one exposing the business dealings of a Manhattan real estate company. This volume includes Edward Fry's catalog text for that show, as well as Walter Grasskamp's "An Unpublished Text for an Unpainted Picture," redacted from an exhibition catalog in 1984 because of statements about the German collector Peter Ludwig. Other essays consider such topics as Haacke's controversial commission for the Reichstag; the activation of the spectator, from Condensation Cube to the Polls; the conceptual continuity of his practice with regard to General Systems Theory; and his delayed and problematic reception in both the United States and Europe. With contemporary essays and scholarly reassessments, this collection serves as an essential guide to critical thinking on Haacke's artistic practice, from the works of the 1960s that engage with physical and biological systems to his later interrogations of the social and economic underpinnings of art.

Contributors
Yve-Alain Bois, Benjamin H. D. Buchloh, Jack Burnham, Douglas Crimp, Rosalyn Deutsche, Sam Durant, Edward F. Fry, Walter Grasskamp, Rosalind Krauss, Jack McGrath, Luke Skrebowski, Leo Steinberg
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Forlag: MIT Press
Innbinding: Paperback
Språk: Engelsk
Sider: 264
ISBN: 9780262527934
Format: 23 x 15 cm
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Rachel Churner is an art critic and editor. She teaches at the New School, New York, and is a cofounder of no place press. From 2011 to 2014, she owned and operated the New York gallery Churner and Churner." Jack Burnham is an artist, art critic, and theorist known for his application of systems theory to art history and theory. On the faculty of Northwestern University from 1962 to 1982 and later at the University of Maryland and an inaugural fellow at MIT's Center for Advanced Visual Studies in 1968- 1969, Burnham is the author of three books of criticism. Yve-Alain Bois studied at the Ecole des Hautes Etudes under the guidance of Roland Barthes and Hubert Damisch. A founder of the French journal Macula, Bois is currently a professor in the School of Historical Studies at the Institute for Advanced Study, Princeton, NJ. Art historian Leo Steinberg is Benjamin Franklin Professor Emeritus at the University of Pennsylvania. His books include Other Criteria: Confrontations with Twentieth-Century Art, Michelangelo's Last Paintings, The Sexuality of Christ in Renaissance Art and in Modern Oblivion, and Encounters with Rauschenberg. Benjamin H. D. Buchloh is Andrew W. Mellon Professor of Modern Art in the Department of History of Art and Architecture at Harvard University and an editor of October magazine. He is the author of Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 (MIT Press) and other books. Douglas Crimp is Fanny Knapp Allen Professor of Art History at the University of Rochester. He is the author of On the Museum's Ruins and Melancholia and Moralism: Essays on AIDS and Queer Politics, both published by the MIT Press. Rosalind E. Krauss is University Professor in the Department of Ar