Sophocles

A Very Short Introduction

Hunting for Justice

The Cosmology of Dike in Aeschylus’s Oresteia

Greek Tragedy, Education, and Theatre Practices in the UK Classics Ecology

Sensing Greek Drama

Roman Stage

A Short History of Latin Drama in the Time of the Republic

Off-Stage Groups in Athenian Drama

Letters in Plautus

Writing Between the Lines

Looking at Greek Drama

Origins, Contexts and Afterlives of Ancient Plays and Playwrights

Spirit of Aristophanes

Euripides: Iphigenia in Tauris

Heracles and Athenian Propaganda

Politics, Imagery and Drama

Acting Gods, Playing Heroes, and the Interaction between Judaism, Christianity, and Greek Drama in the Early Common Era

Minds on Stage

Greek Tragedy and Cognition

Companion to Aristophanes

Euripides' Medea

Translation and Theatrical Commentary

Mysticism in the Theater

What’s Needed Right Now

Brecht and Tragedy

Radicalism, Traditionalism, Eristics

Beyond Death in the Oresteia

Poetics, Ethics, and Politics

Terence: Andria

Routledge Research Companion to Shakespeare and Classical Literature

Antigone and other Tragedies

Antigone, Deianeira, Electra

Sophocles' Electra

Tragic Bodies

Edges of the Human in Greek Drama

Aeschylus and War

Comparative Perspectives on Seven Against Thebes

Euripides: Cyclops

Robert E. Sherwood and the Classical Tradition

The Muses in America

Children in Greek Tragedy

Pathos and Potential

Behind the Mask

Character and Society in Menander

How Greek Tragedy Works

A Guide for Directors, Dramaturges, and Playwrights

Plautus: Pseudolus

Renaissance Literature and Linguistic Creativity

Julius Caesar's Self-Created Image and Its Dramatic Afterlife

Euripides: Ion

Cambridge Companion to Roman Comedy

Christ the Tragedy of God

A Theological Exploration of Tragedy

Aristophanes: Frogs and Other Plays

A new verse translation, with introduction and notes

Nonsense and Meaning in Ancient Greek Comedy

Attic Oratory and Performance