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Around Quitting Time

Work and Middle-Class Fantasy in American Fiction

«“Rob Seguin’s Around Quitting Time makes a major contribution to discussions of class formation in the United States. His original readings of novels by Dreiser, Cather, West, and Barth brilliantly pursue the ghostly tracks of social and cultural change as they are rendered in fine narrative and linguistic detail within the domain of the literary. His mode of reading is as significant as his argument about the "classlessness" of the middle class. Indeed, Seguin demonstrates in exemplary fashion that it is possible to attend to literature as a social and political force without neglecting the specificity of its aesthetic work.”—Jan Radway, Duke University»

Focuses on a series of modern writers who were acutely sensitive to the American web of ideology and utopic vision in order to argue that a pervasive middle-class imaginary is the key to the enigma of class in America. Les mer

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Focuses on a series of modern writers who were acutely sensitive to the American web of ideology and utopic vision in order to argue that a pervasive middle-class imaginary is the key to the enigma of class in America.

Detaljer

Forlag
Duke University Press
Innbinding
Paperback
Språk
Engelsk
Sider
224
ISBN
9780822326700
Utgivelsesår
2001
Format
23 x 15 cm

Anmeldelser

«“Rob Seguin’s Around Quitting Time makes a major contribution to discussions of class formation in the United States. His original readings of novels by Dreiser, Cather, West, and Barth brilliantly pursue the ghostly tracks of social and cultural change as they are rendered in fine narrative and linguistic detail within the domain of the literary. His mode of reading is as significant as his argument about the "classlessness" of the middle class. Indeed, Seguin demonstrates in exemplary fashion that it is possible to attend to literature as a social and political force without neglecting the specificity of its aesthetic work.”—Jan Radway, Duke University»

«“A remarkably positive achievement that contributes significantly to an understanding of quite a range of texts, to an understanding of specific currents of literary modernism, and most generally to an understanding of class, which—in a U.S. context especially—remains that most vexed of social categories.”—Evan Watkins, Pennsylvania State University»

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