Fragments
«Alan Sommerstein’s three-volume Aeschylus… is in many respects the best critical edition of this playwright available in any format. Sommerstein’s authority as a linguist and expert in Aeschylean drama is second to none… Particularly welcome is the well-documented and clearly presented volume of Fragments—for of course the seven plays we happen to possess are by no means all that Aeschylus wrote, and not necessarily even the seven best: the trilogies dealing with Achilles at Troy, or with Pentheus and the Bacchants, for example, seem to have been especially daring and influential. The facing English translation is a trustworthy guide for all who want help in figuring out what Aeschylus (probably) wrote and meant.»
Mark Griffith, Times Literary Supplement
Aeschylus (ca. 525-456 BCE), the dramatist who made Athenian tragedy one of the world's great art forms, witnessed the establishment of democracy at Athens and fought against the Persians at Marathon. He won the tragic prize at the City Dionysia thirteen times between ca. Les mer
Of his total of about eighty plays, seven survive complete. The third volume of this edition collects all the major fragments of lost Aeschylean plays.
Detaljer
- Forlag
- Loeb Classical Library
- Innbinding
- Innbundet
- Språk
- Engelsk
- ISBN
- 9780674996298
- Utgivelsesår
- 2009
- Format
- 16 x 11 cm
Anmeldelser
«Alan Sommerstein’s three-volume Aeschylus… is in many respects the best critical edition of this playwright available in any format. Sommerstein’s authority as a linguist and expert in Aeschylean drama is second to none… Particularly welcome is the well-documented and clearly presented volume of Fragments—for of course the seven plays we happen to possess are by no means all that Aeschylus wrote, and not necessarily even the seven best: the trilogies dealing with Achilles at Troy, or with Pentheus and the Bacchants, for example, seem to have been especially daring and influential. The facing English translation is a trustworthy guide for all who want help in figuring out what Aeschylus (probably) wrote and meant.»
Mark Griffith, Times Literary Supplement