At once an invitation and a provocation, The Socio-Literary Imaginary represents the first collection of essays to illuminate
the historically and intellectually complex relationship between literary studies and sociology in nineteenth and early twentieth-century
Britain. During the ongoing emergence of what Thomas Carlyle, in "Signs of the Times" (1829), pejoratively labeled a new "Mechanical
Age," Britain's robust tradition of social thought was transformed by professionalization, institutionalization, and the birth
of modern disciplinary fields. Writers and thinkers most committed to an approach grounded in empirical data and inductive
reasoning, such as Harriet Martineau and John Stuart Mill, positioned themselves in relation to French positivist Auguste
Comte's recent neologism "la sociologie." Some Victorian and Edwardian novelists, George Eliot and John Galsworthy among
them, became enthusiastic adopters of early sociological theory; others, including Charles Dickens and Ford Madox Ford, more
idiosyncratically both complemented and competed with the "systems of society" proposed by their social scientific contemporaries.
Chronologically bound within the period from the 1830s through the 1920s, this volume expansively reconstructs their expansive
if never collective efforts. Individual essays focus on Comte, Dickens, Eliot, Ford, and Galsworthy, as well as Friedrich
Engels, Elizabeth Gaskell, G. H. Lewes, Virginia Woolf, and others. The volume's introduction locates these author-specific
contributions in the context of both the international intellectual history of sociology in Britain through the First World
War and the interanimating intersections of sociological and literary theory from the work of Hippolyte Taine in the 1860s
through the successive linguistic and digital turns of the late twentieth and early twenty-first centuries.