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Though long obscured by the critical preoccupation with magical realism, the Gothic strain in Latin American literature has become a topic of vibrant scholarly interest in recent years. Gabriel Eljaiek-Rodríguez’s Colombian Gothic in Cinema and Literature is a welcome contribution to the field, charting, as it does, the emergence of a distinctive strain of Colombian Gothic in the nineteenth century and tracking its manifestations across literature and film of the twentieth and twenty-first centuries. As Eljaiek-Rodríguez’s pioneering study is at pains to show, the Colombian Gothic, while sharing certain affinities with the so-called Tropical Gothic, is as singular and distinctive as the culture and history that gave it form. For this reason alone, the book is crucial to understanding the global reach and significance of the Gothic in Central and South America, well beyond the more familiar Anglo-American frame. — Dale Townshend, Professor of Gothic Literature, Manchester Centre for Gothic Studies, Manchester Metropolitan University.  

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Eljaiek-Rodríguez’s short primer on the Colombian Gothic provides a helpful first point of contact for academics looking to understand the region’s unique engagement with this artistic tradition. It is also a welcome addition to critical debates on the Gothic’s transnational cultural work. — Dr Xavier Aldana Reyes, author of Spanish Gothic: National Identity, Collaboration and Cultural Adaptation (2017)

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"This book is an innovative study of Colombian literature and film. It offers an in-depth focus on Colombian history as it looks at the ways in which the never ending (neo)colonization of the country creates new forms of monstrosity. An invaluable contribution to the growing field of Latin American and Caribbean Gothic studies." — Sandra Casanova-Vizcaíno, Assistant Professor, Binghamton University, State University of New York, US

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From the tropical hot lands to the foggy and cold Andean valleys, Eljaiek-Rodríguez’s book is a groundbreaking revision of the presence of the Gothic in Colombia. It confirms the international appeal of this concept and, at the same time, explores its ability to adapt to particular geographical areas that highlight haunting social and political tensions in this South American country. — Enrique Ajuria Ibarra, Senior Assistant Professor, Universidad de las Américas Puebla, Mexico

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