Melville’s Philosophies
«It’s easy to imagine that Melville would have delighted in the creative, thoughtful, and daring essays collected in Melville’s Philosophies. With a striking originality, erudition, and insight, these essays, in the spirit of their subject, deftly unmap conceptual certainties and open unanticipated wonders in Melville’s philosophical visions. With topics diverse as signs and subjectivity, empiricism and the unobservable world, doubt and impersonality, unreciprocatable love and community ethics, the immateriality of pain and feeling faith, prosthetic sovereignty and the politics of new beginnings, Melville’s Philosophies gives us an exhilaratingly re-imagined Melville and, in the process, gives us much-needed insight into contemporary questions of belief and attachment, materiality and ethics, aesthetics and sensation, and the limits of justice.»
Christopher Castiglia, Distinguished Professor of English and Women's, Gender, and Sexuality Studies
Melville’s Philosophies departs from a long tradition of critical assessments of Melville that dismissed his philosophical capacities as ingenious but muddled. Its contributors do not apply philosophy to Melville in order to detect just how much of it he knew or understood. Les mer
Detaljer
- Forlag
- Bloomsbury Academic USA
- Innbinding
- Innbundet
- Språk
- Engelsk
- Sider
- 424
- ISBN
- 9781501321016
- Utgivelsesår
- 2017
- Format
- 23 x 15 cm
Anmeldelser
«It’s easy to imagine that Melville would have delighted in the creative, thoughtful, and daring essays collected in Melville’s Philosophies. With a striking originality, erudition, and insight, these essays, in the spirit of their subject, deftly unmap conceptual certainties and open unanticipated wonders in Melville’s philosophical visions. With topics diverse as signs and subjectivity, empiricism and the unobservable world, doubt and impersonality, unreciprocatable love and community ethics, the immateriality of pain and feeling faith, prosthetic sovereignty and the politics of new beginnings, Melville’s Philosophies gives us an exhilaratingly re-imagined Melville and, in the process, gives us much-needed insight into contemporary questions of belief and attachment, materiality and ethics, aesthetics and sensation, and the limits of justice.»
Christopher Castiglia, Distinguished Professor of English and Women's, Gender, and Sexuality Studies
«This collection does not stress Melville as philosopher or Melville’s relation to philosophers (although Paul Downes does consider Melville and Hobbes); rather it looks at the philosophy latent in Melville's creative vision. Though the contributors range from veterans (Kenneth Dauber, Colin Dayan) to more recent voices (Elisa Tamarkin, Samuel Otter) to the well-known, consummately idiosyncratic Arsic, the essays share a common dimension: the synchronic. In so many cases in which development appeared possible, a wise reflectiveness reveals repetition. In his essay, Michael Jonik says The Confidence-Man should make one “remain ever wary of the advance of geniality.” James Lilley argues that Amasa Delano’s dancing in Benito Cereno is “fragmented gestures” necessarily “fateful and failed.” Rhian Williams reads the late Holy Land epic Clarel as figuring “religiosity through repetition"; in their essays on Clarel, Arsic and Paul Hurh have different religious stances but agree that existence is naught but a “continuous, processional concept" (as Arsic writes). Overall the book gives a heartening sense of movement into a world where, as Evans puts it in the opening essay, one is “fully at home” but “never in control.” Summing Up: Recommended. Lower-division undergraduates through faculty.»
CHOICE
«By engaging Melville’s singular ways of thinking, the contributors to Arsic and Evans’ 'untimely' collection show how Melville’s writings anticipate and clarify the philosophical stakes of intellectual preoccupations—speculative materialism, new formalism, relational aesthetics, object-oriented ontology, inoperative communities, ecocriticism—we recognize as our own. In so doing they render Melville’s Philosophies indispensable to thinking contemporaneity.»
Donald E. Pease, Director of the Futures of American Studies Institute, Dartmouth College, USA, and