Reading Nuruddin Farah
The individual, the novel & the idea of home
«Reading Nuruddin Farah is the most exhaustive critical text dedicated to Nuruddin Farah to date. Moolla's analysis is ... remarkable for its originality and intellectual rigor.»
RESEARCH IN AFRICAN LITERATURES
A close analysis of Farah's novels is used to track the contradictions implicit in the notion of the modern, disengaged self and how transformations of the novel in literary history attempt to negotiate this founding contradiction. Les mer
A close analysis of Farah's novels is used to track the contradictions implicit in the notion of the modern, disengaged self and how transformations of the novel in literary history attempt to negotiate this founding contradiction.
The Somali novelist, Nuruddin Farah, is one of the most important African writers today. The central question that this book investigates is the relationship between modern identity and the novel as a genre. Nuruddin Farah's novels are shown by Moolla to encompass the history of the novel: from the 'proto-realism' of the acclaimed From a Crooked Rib to the modernism of A Naked Needle and the postmodernism of, most notably, Maps, returning almost full circle with his most recent novel Crossbones.
Moolla examines his writing within the framework of Somali society and culture, Islamic traditions and political contexts, all of which are central themesin his work. She also addresses Farah's engagement with women's lives - his female characters and identities being at the heart of, rather than peripheral, to his stories - something that has distinguished him from many other male African writers.
The book finally suggests that through his literary negotiation of the central contradiction of modern identity, Farah comes close to constituting a subject who no longer is transcendentally 'homeless', butfinds a home 'everywhere' - a fitting project for a writer who has been in exile for the greater part of his life.
F. Fiona Moolla is a Senior Lecturer in the Faculty of Arts at the University of the Western Cape in South Africa as well as a freelance writer and published author of short stories.
South Africa and Zimbabwe (pb only): Blue Weaver
The Somali novelist, Nuruddin Farah, is one of the most important African writers today. The central question that this book investigates is the relationship between modern identity and the novel as a genre. Nuruddin Farah's novels are shown by Moolla to encompass the history of the novel: from the 'proto-realism' of the acclaimed From a Crooked Rib to the modernism of A Naked Needle and the postmodernism of, most notably, Maps, returning almost full circle with his most recent novel Crossbones.
Moolla examines his writing within the framework of Somali society and culture, Islamic traditions and political contexts, all of which are central themesin his work. She also addresses Farah's engagement with women's lives - his female characters and identities being at the heart of, rather than peripheral, to his stories - something that has distinguished him from many other male African writers.
The book finally suggests that through his literary negotiation of the central contradiction of modern identity, Farah comes close to constituting a subject who no longer is transcendentally 'homeless', butfinds a home 'everywhere' - a fitting project for a writer who has been in exile for the greater part of his life.
F. Fiona Moolla is a Senior Lecturer in the Faculty of Arts at the University of the Western Cape in South Africa as well as a freelance writer and published author of short stories.
South Africa and Zimbabwe (pb only): Blue Weaver
Detaljer
- Forlag
- James Currey
- Innbinding
- Innbundet
- Språk
- Engelsk
- Sider
- 216
- ISBN
- 9781847010919
- Utgivelsesår
- 2014
- Format
- 23 x 16 cm
Anmeldelser
«Reading Nuruddin Farah is the most exhaustive critical text dedicated to Nuruddin Farah to date. Moolla's analysis is ... remarkable for its originality and intellectual rigor.»
RESEARCH IN AFRICAN LITERATURES
«Moolla's book is an important contribution to the expanding body of Farah criticism...her text opens a different and challenging perspective on how an author like Farah might be read.»
SOCIAL DYNAMICS
«Seeing Farah's work in the tradition of the bildungsroman, Moolla demonstrates how his fiction 'displays a concern with the subject as individual operated on by the power of both the postcolonial state and tradition.' Highly recommended.»
CHOICE
«'This work represents perhaps the most original and comprehensive study of Farah's work to date.' -»
Simon S. Gikandi, Robert Schirmer Professor of English, Princeton University
«'... provides an insightful perspective on the concept of individualism, its philosophical genealogy, and its intimate connection to the emergence of the novel in Western Europe and subsequent expansion to its current status as a global genre.' -»
Olakunle George, Associate Professor, Brown University
«'To my mind, this is the first exhaustive work on Farah which locates his works within a known genre tradition, specifically that of the modern novel, and proceeds to argue that Farah's novels represent the fundamental problematic of the individual representation through the form of the novel.' -»
James A. Ogude, Professor and Research Fellow, Centre for the Advancement of Scholarship, University