"Written in a refreshing non-academic style . . . Jazzing offers a valuable portrait of the ever-changing New York jazz scene."--The New York City Jazz Record

"Jazzing is a veritable whirlwind of congruent, conflicting and overlapping points of view. From Greenland's wide-angle vantage point . . . the listening to, presenting, writing about, photographing, creating visual art during performances, and promoting of live jazz is loaded with an array of complex social, economic and personal factors."--All About Jazz

"Give[s] the audience - listeners, fans, and critics - alike a serious voice in the element of improvisation, which, in the case of jazz, is the key to its existence. . . . This book becomes well worth interacting with and becoming a part of the experience of its subject, i.e. Jazzing."--Jazz da Gama

"A very readable and entertainingly written book."--Jazzinstitut

"A probing, fascinating, and sensitive portrait of a community of 'jazz people,' Tom Greenland's Jazzing reminds us that jazz is not simply sound, but is a way of life that impacts us in profound and different ways."--Ken Prouty, author of Knowing Jazz: Community, Pedagogy, and Canon in the Information Age

"Jazzing offers a rich and unique analysis of the social and musical lives of nonperforming participants in New York City's jazz scene(s). . . . Thomas Greenland tells a story of the vast and varied positions in a musical community that are not only necessary for, but constituent to, the community continuing to thrive." --Jazz & Culture

"Those who think deeply and seriously about the fate and direction of jazz, America's unique musical art-form, will find it interesting and rewarding." --The Syncopated Times

"A strikingly thoughtful book."--Jazz Journal