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Mexico City Blues

«A spontaneous bop prosody and original classic literature.»

Allen Ginsberg

'I want to be considered a jazz poet blowing a long blues in an afternoon jam session on Sunday'

Freewheeling and spontaneous, Mexico City Blues is Jack Kerouac's most significant and emblematic poem. Consisting of 242 loosely linked 'choruses', it takes in life, death, spirituality, jazz improvisation, memory, fantasies and dreams, all infused with the rhythm of the blues, to create a surreal and all-encompassing epic.

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'I want to be considered a jazz poet blowing a long blues in an afternoon jam session on Sunday'

Freewheeling and spontaneous, Mexico City Blues is Jack Kerouac's most significant and emblematic poem. Consisting of 242 loosely linked 'choruses', it takes in life, death, spirituality, jazz improvisation, memory, fantasies and dreams, all infused with the rhythm of the blues, to create a surreal and all-encompassing epic.

'A spontaneous bop prosody and original classic literature' Allen Ginsberg

'A jazz poet. His sentences frequently move into tempestuous sweeps and whorls and sometimes they have something of the rich music of Gerard Manley Hopkins or Dylan Thomas' The New York Herald Tribune

Detaljer

Forlag
Penguin Classics
Innbinding
Paperback
Språk
Engelsk
Sider
256
ISBN
9780241388945
Utgivelsesår
2019
Format
20 x 13 cm

Om forfatteren

Jack Kerouac was born in Lowell, Massachusetts, in 1922. Educated by Jesuit brothers in Lowell, he decided to become a writer at age seventeen and developed his own writing style, which he called 'spontaneous prose'. He used this technique to record the life of the American 'traveler' and the experiences of the Beat Generation, most memorably in On the Road and also in The Subterraneans and The Dharma Bums. His other works include Big Sur , Desolation Angels, Lonesome Traveler, Visions of Gerard, Tristessa, and a book of poetry called Mexico City Blues. Jack Kerouac died in 1969.

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«A spontaneous bop prosody and original classic literature.»

Allen Ginsberg

«A jazz poet. His sentences frequently move into tempestuous sweeps and whorls and sometimes they have something of the rich music of Gerard Manley Hopkins of Dylan Thomas.»

The New York Herald Tribune

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