«“Aleister Crowley in Paris recasts the Beast’s biography through the lens of Belle Époque Paris, where its expat embrace of freedom, art, publishing, magick, and romance captured Crowley’s heart. We find the mage returning over the years, seeking fresh inspiration or a safe haven from his woes, whether personal or magical. Throughout this engaging narrative, Churton proves that we cannot understand Crowley without understanding his relationship to Paris.”»

Richard Kaczynski author of Perdurabo and editor of Crowley’s The Sword of Song

«“This final installment of Churton’s expansive and detailed exposition on Aleister Crowley’s life, work, and milieu is a treasure trove of new information and startling revelations. Scrupulously researched and exquisitely written, Churton’s complete six-volume biography of Crowley confirms his position as one of the most insightful, respected, and eloquent scholars on Frater Perdurabo to ever put pen to paper. Aleister Crowley in Paris is a delight.”»

John Zorn, composer

«“The young Crowley was in with the ‘in crowd’ in Paris and knew everyone it seems, who then, like him, became one of the characters that creatively shaped the last century. He was engaged to the great Eileen Gray, and lots of other notable women come to life in this very accomplished biography. Tobias Churton is to be applauded for once again getting rid of the gossip and giving us the facts, this time in ‘gay Paree,’ of the life and aspirations of the greatest magician of the twentieth century.”»

Geraldine Beskin, co-owner of the Atlantis Bookshop, London

«“Tobias Churton’s multivolume work examining Crowley’s life and work in key geographical locations is nothing less than brilliant. This time Churton takes us to Paris, an extremely important place for Crowley. It’s a pure joy to travel alongside both Crowley and Churton to the City of Light and Romance and to indulge in both the scandals and miracles of the Great Beast 666.”»

Carl Abrahamsson, author of Source Magic, Anton LaVey and the Church of Satan, Occulture, and Reason