«This profound, arresting, and beautiful study makes us see things differently. Made for graphic designers and accessible to fascinated readers far beyond that field, it demonstrates how deeply influenced by embedded relationships of race and power that creative and commercial work in design has long been. The resulting familiarities with images of racial hierarchies become less so as we read, look, and come to view matters through the brilliant critiques provided by contemporary Black artists.»

David Roediger, Foundation Distinguished Professor of American Studies at the University of Kansas,

«[T]he first book to frame the history of graphic design through the lens of African American critical race studies ... essential and a must-read for anyone in the graphic design profession who is interested in how race and design have affected visual culture in America.»

Design and Culture

«To really understand how race shapes US culture past and present, we must get to grips with the ways it patterns everyday life. Peter Claver Fine demonstrates the centrality of race to US graphic design, and the ways in which the visual language of commercial culture remains a key site for the reproduction - and the contestation - of racism. The Design of Race will be of great value to students of design, fine art, and popular culture.»

Ben Pitcher, Reader in the Sociology of Race at the University of Westminster, UK

«Fine’s book is a ground-breaking analysis of the power of graphic design and its culpability in the constructions of race in America. The Design of Race is a timely and well-researched work that eloquently unpacks the complexities of visual culture, racial identity and the affordances of race as a designed object for consumption.»

John Jennings, Critical race design scholar and Professor of Media and Cultural Studies, UC Riversid