Transmedia Creatures
Francesca Saggini (Redaktør) Anna Enrichetta Soccio (Redaktør) Lidia De Michelis (Innledning) Eleanor Beal (Innledning) Gino Roncaglia (Innledning) Claire Nally (Innledning) Claudia Gualtieri (Innledning) Federico Meschini (Innledning) Enrico Reggiani (Innledning) Diego Saglia (Innledning) Daniele Pio Buenza (Innledning) Ruth Heholt (Innledning) Andrew McInnes (Innledning) Janet Larson (Innledning)
"Mary Shelley’s novel has had so many afterlives: the text lives and is constantly reincarnated as an unparalleled text of revision, rewriting, misreading, and overreading in science fiction, film, young adult literature, feminism, biomedical ethics, drama, and many other arenas. On the occasion of the anniversary of the 1818 edition of Frankenstein, editors Francesca Saggini and Anna Enrichetta Soccio have gathered an admirably wide range of approaches to that vast afterlife. The productive analyses here of these transmedia incarnations demonstrate the power of Shelley’s ur-text and offer delightful opportunities to enliven our teaching and understanding of Frankenstein and his afterlives."
Audrey Fisch, New Jersey City University
On the 200th anniversary of the first edition of Mary Shelley's Frankenstein, Transmedia Creatures: Frankenstein's Afterlives presents studies of Frankenstein by international scholars from converging disciplines such as humanities, musicology, film studies, television studies, English and digital humanities. Les mer
Detaljer
- Forlag
- Bucknell University Press,U.S.
- Innbinding
- Innbundet
- Språk
- Engelsk
- Sider
- 296
- ISBN
- 9781684480616
- Utgivelsesår
- 2018
- Format
- 23 x 15 cm
Anmeldelser
"Mary Shelley’s novel has had so many afterlives: the text lives and is constantly reincarnated as an unparalleled text of revision, rewriting, misreading, and overreading in science fiction, film, young adult literature, feminism, biomedical ethics, drama, and many other arenas. On the occasion of the anniversary of the 1818 edition of Frankenstein, editors Francesca Saggini and Anna Enrichetta Soccio have gathered an admirably wide range of approaches to that vast afterlife. The productive analyses here of these transmedia incarnations demonstrate the power of Shelley’s ur-text and offer delightful opportunities to enliven our teaching and understanding of Frankenstein and his afterlives."
Audrey Fisch, New Jersey City University
"Chronicle of Higher Education new scholarly books weekly book list," by Nina C. Ayoub
Chronicle of Higher Education
"The scholarship is sound. . .Transmedia Creatures offers some exciting new avenues to explore in the wake of the bicentenary of Shelley’s novel. Recommended."
Choice
"Saggini and Soccio’s [book] defies expectations and has a great deal to say about the pedagogical uses to which Frankenstein’s textual afterlives might be put. [...] many of the essays in this volume, although they don’t define themselves that way, might be characterized by what we now call presentist in that they trace how cultural forebodings about the dangers of difference that preoccupy the novel get re-mediated in contemporary culture to address those same concerns. [...] All of these essays are never less than illuminating, in their varied ways, on some understudied or overlooked aspect of the novel’s afterlives, as should be obvious from the book’s title but is never a given."
European Romantic Review
"In Transmedia Creatures, Saggini and Soccio collect a truly international group of thirteen contributors who investigate the ways how Frankenstein adaptations traverse media, genre, and national boundaries....[T]his volume particularly appealing to instructors looking for innovation in teaching the novel."
Science Fiction Studies
"One rarely encounters scholarly territory upon which Mary Shelley's peripatetic creature has not already left its mark, but this exceptional collection has managed to uncover new and exciting ground in Frankenstein studies. In Transmedia Creatures: Frankenstein's Afterlives, Saggini and Soccio present original interdisciplinary essays by international scholars that explore Shelley's novel as it is incarnated through the lens of multiple media and differing modes of production. Erudite and entertaining, this work gives us a fresh and often-startling view of that famous 'hideous progeny' as it is reborn in everything from fanfiction and steampunk adaptations to musical compositions and video games."
Ghislaine McDayter, Bucknell University