Deconstruction of Sex
«“Happily, no one will leave this book with an understanding of sex. To the contrary, these trenchant and provocative dialogues challenge any construction of sex that relies on a copular verb. As astutely as Irving Goh places sex in a politicophilosophical framework, just as astutely does Jean-Luc Nancy lay out how sex exceeds it. This results in an exemplary enactment of the becoming-word of sex, ‘leaving in us,’ to quote Nancy, ‘a sort of dizziness and bedazzlement’ by comparison with which ‘understanding’ sex can only seem delusional.”»
Lee Edelman, author of, No Future: Queer Theory and the Death Drive
In The Deconstruction of Sex, Jean-Luc Nancy and Irving Goh discuss how a deconstructive approach to sex helps us negotiate discourses about sex and foster a better understanding of how sex complicates our everyday existence in the age of #MeToo. Les mer
Detaljer
- Forlag
- Duke University Press
- Innbinding
- Paperback
- Språk
- Engelsk
- Sider
- 120
- ISBN
- 9781478014355
- Utgivelsesår
- 2021
- Format
- 20 x 13 cm
Anmeldelser
«“Happily, no one will leave this book with an understanding of sex. To the contrary, these trenchant and provocative dialogues challenge any construction of sex that relies on a copular verb. As astutely as Irving Goh places sex in a politicophilosophical framework, just as astutely does Jean-Luc Nancy lay out how sex exceeds it. This results in an exemplary enactment of the becoming-word of sex, ‘leaving in us,’ to quote Nancy, ‘a sort of dizziness and bedazzlement’ by comparison with which ‘understanding’ sex can only seem delusional.”»
Lee Edelman, author of, No Future: Queer Theory and the Death Drive
«“In this fascinating dialogue between the renowned continental thinker Jean-Luc Nancy and the critic Irving Goh, the foundational terms of sex are brilliantly deconstructed in ways directly relevant to sensual experience, modalities of affect, intimate co-relationality and the fluid subjects of contemporary gender self-identification. Sexual philosophy, post-Foucault and post-Irigaray, gains a new classic with this indispensable text, topped by the bonus of Claire Colebrook's trenchant afterword on killjoy sex.”»
Emily Apter, Silver Professor of French and Comparative Literature, New York University