Satori in Paris
«A remarkable ear for the cadences of a phrase or sentence, a sense of how to register in words the sheer, sweet flow of things»
Guardian
'A remarkable ear for the cadences of a phrase or sentence, a sense of how to register in words the sheer, sweet flow of things' Guardian
This semi-autobiographical tale of Kerouac's own trip to France, to trace his ancestors and explore his own understanding of the Buddhism that came to define his beliefs, contains some of Kerouac's most lyrical descriptions.
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'A remarkable ear for the cadences of a phrase or sentence, a sense of how to register in words the sheer, sweet flow of things' Guardian
This semi-autobiographical tale of Kerouac's own trip to France, to trace his ancestors and explore his own understanding of the Buddhism that came to define his beliefs, contains some of Kerouac's most lyrical descriptions. From his reports of the strangers he meets and the all-night conversations he enjoys in seedy bars in Paris and Brittany, to the moment in a cab he experiences Buddhism's satori - a feeling of sudden awakening - Kerouac's affecting and revolutionary writing transports the reader.
Published at the height of his fame, Satori in Paris is a hectic tale of philosophy, identity and the powerful strangeness of travel.
Detaljer
- Forlag
- Penguin Classics
- Innbinding
- Paperback
- Språk
- Engelsk
- Sider
- 112
- ISBN
- 9780141198231
- Utgivelsesår
- 2012
- Format
- 20 x 13 cm
Om forfatteren
Jack Kerouac was born in Lowell, Massachusetts, in 1922. Educated by Jesuit brothers in Lowell, he decided to become a writer at age seventeen and developed his own writing style, which he called 'spontaneous prose'. He used this technique to record the life of the American 'traveler' and the experiences of the Beat Generation, most memorably in
On the Road and also in
The Subterraneans and
The Dharma Bums. His other works include
Big Sur
, Desolation Angels, Lonesome Traveler, Visions of Gerard, Tristessa, and a book of poetry called
Mexico City Blues. Jack Kerouac died in 1969.
Anmeldelser
«A remarkable ear for the cadences of a phrase or sentence, a sense of how to register in words the sheer, sweet flow of things»
Guardian