«Thor Magnusson, with his insights based on a profound knowledge of both theory and practice, provides us with as good a map as we are likely to get.»

Technology and Culture

«With vivid illustrations of otherwise complex concepts ... [this book] is a compendium for future research and a primer of music inscription past, present, and future.»

The Wire Magazine

«Thor Magnusson's Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions is one of those rare reads that manages to connect, to clarify, and to serve as a great starting point for conceptualizing what we're up to even as we're doing it. What Thor's up to is something which is different and thought-provoking - he's interested in looking at some of the ways in which technology has always conditioned our musical expression, even as it modifies and redefines it.»

Interference Journal

«A fascinating study of all forms of sonic writing for anyone interested in the sonic arts, but it’s also a fascinating lens for thinking about the history and politics of technologies of inscription and storage more generally.»

Neural Magazine

«Provides a sweeping overview of the tools and techniques of music-making both before and after the dawn of computing as well a set of forward-looking strategies for thinking critically about our future relationship with new music technology. Importantly, Magnusson identifies many similarities between present and past sonic creative practices as he takes the reader through an impressive survey of music technologies spanning the analog–digital divide.»

New Books Network

«In this kaleidoscopic synthesis of history, theory, and organology, Thor Magnusson offers not only a groundbreaking interpretation of digital musical instruments but also bracing new perspectives on instrumentality as such.»

Thomas Patteson, Professor of Music History, Curtis Institute of Music, USA, and author of Instrumen

«This is a fascinating and giddy sprint through the long history of our digital present. Magnusson tells the history of 20th- and 21st-century music through the lens of inscription--capaciously understood to encompass musical instruments, controllers, interfaces, notation, and recording. By turns breathlessly ambitious in his broad historical sweep and revelatory in his detailed attention to individual technologies, Magnusson gives his readers a host of critical tools to think through the challenges and affordances of our musical tools.»

Emily I. Dolan, Gardner Cowles Associate Professor of Music, Harvard University, USA, and author of

«There are books on new digital instruments and technologies, or on electronic music practice and sound design, but Magnusson's book is unique in its exploration of how technology conditions our musical expression. By focusing on the conditions on which current digital technologies are redefining musical practices, and through a rigorous analysis in the three domains of musical instruments, notation, and recording, Magnusson has authored an essential book for understanding the musical paradigm shifts that are emerging in our early 21st century.»

Sergi Jordà, digital luthier, music technology researcher and Professor, Universitat Pompeu Fabra, S