With one exception, these short stories were written for this collection, and they tentatively look at different themes such
as compassion, passivity and their opposites, which are not, of course, original themes, as none exist. The stories are told
in different keys, and some characters appear in more than one story. The subject matter also shifts from the social to the
political, and the tone becomes increasingly pessimistic. An Algerian immigrant worker in Italy invents a novel way to redistribute
wealth, a female academic finds the path to success to be less difficult than she expected, a high-flyer in the financial
markets perceives the glories of a selfish existence, a dying writer considers how he abandoned relationships to follow his
art, a dead man rejects the tediousness of heaven, a thug is haunted by his selfish instincts, an essayist pronounces and
an authors kills off his character. The plot in one short story distinguishes it from all the others: A Dream of JusticeA"
is the scenario for a one-state solution in Israel-Palestine, and examines how this might play out.
This, it is suggested,
is not just a least worstA" solution; it is also the only one in which people can go through the process of rediscovering
their common humanity, albeit a process that is long and generational. The Middle East also appears in the form of guest workers
and the Secret WarA" in Oman. Cameron attempts in some of these stories to question the current conformist role of the writer
and intellectual in Western society. Certainly since the Enlightenment and, more particularly in England since the Civil War
more correctly called a revolution, the writer has been a dissident in society.