Performing Arts in Changing Societies

Opera, Dance, and Theatre in European and Nordic Countries around 1800

Randi Margrete Selvik (Redaktør) ; Svein Gladso (Redaktør) ; Anne Margrete Fiskvik (Redaktør)

Performing Arts in Changing Societies is a detailed exploration of genre development within the fields of dance, theatre, and opera in selected European countries during the decades before and after 1800. Les mer
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Vår pris: 1941,-

(Innbundet) Fri frakt!
Leveringstid: Sendes innen 21 dager
På grunn av Brexit-tilpasninger og tiltak for å begrense covid-19 kan det dessverre oppstå forsinket levering.

Om boka

Performing Arts in Changing Societies is a detailed exploration of genre development within the fields of dance, theatre, and opera in selected European countries during the decades before and after 1800. An introductory chapter outlines the theoretical and ideological background of genre thinking in Europe, starting from antiquity. A further fourteen chapters cover the performing genres as they developed in England, France, Germany, and Austria, and follow the dissemination and adaptation of the corresponding genres in minor and major cities in the Nordic countries. With a strong emphasis on the role that pragmatic and contextual factors had in defining genres, the book examines such subjects as the dancing masters in Christiania (Oslo), circa 1800, the repertory and travels of an itinerant acrobat and his wife in Norway in the 1760s, and the influence of Enlightenment ideas on bourgeois drama in Denmark.


Including detailed analyses in the light of material, political, and social factors, this is a valuable resource for scholars and researchers in the fields of musicology, opera studies, and theatre and performance studies.

Fakta

Innholdsfortegnelse

1. Performative Arts between Rules and Realities: The Adaptive History of Genre


Svein Gladso and Randi M. Selvik





2. Opera at Home: Performance and Ownership in Eighteenth-Century France


David Charlton





3. Nationalism in Eighteenth-Century German opera? - Changing Views on the Nation in two Operas of Johann Friedrich Reichardt


Marten Nehrfors Hulten





4. Marvellous Changes - Changes within the Marvellous: Carl Maria von Weber's Oberon as Transfer between Cultural Tendencies and Historical Discourses


T. Sofie Taubert





5. Syngespill - a Favourite or a Substitute?


Cecilie Louise Mace Stensrud





6. 'Ce mot de Wahrheit, quelle expression elle lui donna' - The Melodrama, its Performances and Performers in late Eighteenth-Century Vienna


Vera Grund





7. Amphions of the North - Court Kapellmeisters in the Musical Life of Sweden around 1800


Owe Ander





8. Representative Performances, Political Propaganda and the Question of Financing - The Royal Swedish Opera in Stockholm 1773-1823


Karin Hallgren





9. What Place for a Woman? Dancing in London's Theatres circa 1770-1810


Sarah McCleave





10. Dance and Social Education in Early Nineteenth-Century Christiania


Elizabeth Svarstad





11. 'Nemo ei in orbe terrarum in artibus par est': The Rope and Wire Repertoire of Itinerant Artist Michael Stuart


Anne Margrete Fiskvik





12. Pantomime under the Aurora Borealis: The Winter Season of the Gautier Troupe in Trondheim, Norway, 1839/40


Ellen Karoline Gjervan





13. 'Not for Pleasure Alone': The Dramatic Societies and the Theatre Craze, 1770-1850: Their Background in the Age of Enlightenment and Their Importance for the Emergence of Private Theatres in Denmark


Alette Scavenius





14. On the Wire: Scenographing Affect at Sillgateteatern in Gothenburg around 1800


Astrid von Rosen