Gigi and The Cat
«Colette is a kind of corsetiere of love. This most French of all French writers tells us how love sometimes binds and keeps a woman from breathing freely or how it may shape and support her and help her to be beautiful . . . One thinks of her as the female voice of Paris . . . It's as if all the house fronts of Paris were cut away and we could see men and women talking, dressing, brooding, loving»
Anatole Broyard, New York Times
The famous tale by the trailblazing subject of major new film Colette
GIGI TRANSLATED BY ROGER SENHOUSE, THE CAT TRANSLATED BY ANTONIA WHITE
Gigi’s days are filled with cigars, lobster, lace and superstitions: the education of a future courtesan. Bored and unconvinced by what she’s taught, Gigi surprises all with her approach to love. In this classic turn-of-the-century novella, Colette unveils Gigi’s journey into womanhood in rich and supple prose.
This edition includes The Cat translated by Antonia White.
135,-
Paperback
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The famous tale by the trailblazing subject of major new film Colette
GIGI TRANSLATED BY ROGER SENHOUSE, THE CAT TRANSLATED BY ANTONIA WHITE
Gigi’s days are filled with cigars, lobster, lace and superstitions: the education of a future courtesan. Bored and unconvinced by what she’s taught, Gigi surprises all with her approach to love. In this classic turn-of-the-century novella, Colette unveils Gigi’s journey into womanhood in rich and supple prose.
This edition includes The Cat translated by Antonia White.
Detaljer
- Forlag
- Vintage Classics
- Innbinding
- Paperback
- Språk
- Engelsk
- Sider
- 160
- ISBN
- 9780099422754
- Utgivelsesår
- 2001
- Format
- 20 x 13 cm
Om forfatteren
Colette, the creator of Claudine, Cheri and Gigi, and one of France’s outstanding writers, had a long, varied and active life. She was born in Burgundy on 1873 into a home overflowing with dogs, cats and children, and educated at the local village school. At the age of twenty she moved to Paris with her first husband, the notorious writer and critic Henry Gauthiers-Viller (Willy). By locking her in her room, Willy forced Collette to write her first novels (the Claudine sequence), which he published under his name. They were an instant success. Colettte left Willy in 1906 and worked in music-halls as an actor and dancer. She had a love affair with Napoleon’s niece, married twice more, had a baby at 40 and at 47. Her writing, which included novels, portraits, essays and a large body of autobiographical prose, was admired by Proust and Gide. She was the first woman President of the Académie Goncourt, and when she died, aged 81, she was given a state funeral and buried in Père Lachaise Cemetery in Paris.
Anmeldelser
«Colette is a kind of corsetiere of love. This most French of all French writers tells us how love sometimes binds and keeps a woman from breathing freely or how it may shape and support her and help her to be beautiful . . . One thinks of her as the female voice of Paris . . . It's as if all the house fronts of Paris were cut away and we could see men and women talking, dressing, brooding, loving»
Anatole Broyard, New York Times
«She has been compared to a 20th-century female Montaigne, and it is true that her books offer a manual on how to live fearlessly and joyfully – greedily alive to every sensation and experience»
Lisa Allardice, Guardian
«A perpetual feast to the reader. Her prose is rich, flawless, intricate, audacious and utterly beautiful»
Raymond Mortimer
«A perfectionist in her every word»
Spectator
«Everything that Colette touched became human... She was a complete sensualist; but she gave herself up to her senses with such delicacy of perception, with such exquisiteness of physical pain as well as physical ecstasy, that she ennobled sensualism almost to grandeur»
The Times
«Sumptuous»
Time
«The paradoxes of great literature are those of human nature, and Colette is nothing if not human . . . Accessible and elusive; greedy and austere; courageous and timid; subversive and complacent; scorchingly honest and sublimely mendacious; an inspired consoler and an existential pessimist—these are the qualities of the artist and the woman. It is time to rediscover them»
Judith Thurman, biographer of Colette