New Name — WINNER OF THE 2023 NOBEL PRIZE IN LITERATURE
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‘Fosse intuitively — and with great artistry — conveys ... a sense of wonder at the unfathomable miracle of life, even in its bleakest and loneliest moments. In this fine conclusion to Septology, the religious subtexts of the project’s companion pieces at last draw into focus. The link between Asle’s art and his faith finds subtle expression in the parallels between the haunting oil painting of two crossed lines, which the narrator contemplates at the beginning of each section, and the cross made with anointing oil as he is accepted into the Catholic faith.... As the final pages draw to their profound and breath-snatching close, Septology also attains that original ambition: it imbues the very enigma of life, which can seem at times so terrifyingly dark, with a light that is almost beatific.’
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— Bryan Karetnyk, Financial Times
Asle is an ageing painter and widower who lives alone on the southwest coast of Norway. His only friends are his neighbour, Asleik, a traditional fisherman-farmer, and Beyer, a gallerist who lives in the city. Les mer
Detaljer
- Forlag
- Fitzcarraldo Editions
- Innbinding
- Paperback
- Språk
- Engelsk
- ISBN
- 9781913097721
- Utgivelsesår
- 2021
- Format
- 20 x 13 cm
- Priser
- The Brage Prize 2021
Anmeldelser
«
‘Fosse intuitively — and with great artistry — conveys ... a sense of wonder at the unfathomable miracle of life, even in its bleakest and loneliest moments. In this fine conclusion to Septology, the religious subtexts of the project’s companion pieces at last draw into focus. The link between Asle’s art and his faith finds subtle expression in the parallels between the haunting oil painting of two crossed lines, which the narrator contemplates at the beginning of each section, and the cross made with anointing oil as he is accepted into the Catholic faith.... As the final pages draw to their profound and breath-snatching close, Septology also attains that original ambition: it imbues the very enigma of life, which can seem at times so terrifyingly dark, with a light that is almost beatific.’
»
— Bryan Karetnyk, Financial Times
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‘Fosse’s portrait of memory remarkably refuses. It will not be other than: indelible as paint, trivial as nail clippings, wound like damp string. This book reaches out of its frame like a hand.’
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— Jesse Ball, author of Census
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‘Jon Fosse is a major European writer.’
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— Karl Ove Knausgaard, author of My Struggle
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‘The entire septet seems to take place in a state of limbo...Though Fosse has largely done away with punctuation altogether, opting instead for sudden line breaks, his dense, sinuous prose is never convoluted, and its effect is mesmerizing.’
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— Johanna Elster Hanson, TLS