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Why Did You Come Back Every Summer

«

"Fearless and distinctive, this is vital reading. " —Publishers Weekly

"Employing direct and crude language, López Peiró writes against the system, against the web of silence that tried to keep her quiet, and against herself. (…) A book that becomes a political act that forces us to look in places we would prefer not to."" —Casa America Catalunya

"An exquisite book, a powerful political intervention. And so necessary. "" —Gabriela Cabezón Cámara , author of THE ADVENTURES OF CHINA IRON

"The map of what happens to us, finally revealed complete. Indispensable."" —Brigitte Vasallo

"A perfect and precise book that tackles macho violence and makes the picture that supports impunity emotionally palpable.” "" —Gabriela Wiener , author of SEXOGRAPHIES and NINE MOONS

"Incredible expressive power. " —La Agenda

"One of the bravest and starkest texts in recent memory." —Infobae

"Those who immerse themselves in the pages of this novel will feel each word like a dagger. The author is explicit: she goes to the bone, writing without holding back. (...) This novel is a cry, a denunciation, but also a way of healing. Belén discovered the possibility of transforming pain and turning her book into an instrument of struggle, containment and support for those who don’t dare to make their own denunciation. " —Feminacida

"López Peiró narrates the experience of sexual abuse that she endured while she goes a young girl. But she doesn’t do so in the first person. Rather, she does it through parallel voices and police statements which allow her to widen out a tragedy that in no case is singular. It is always plural." —Vogue

"Why Did You Come Back Every Summer marks an inflection point in the chronology of autobiographical fiction." —The Washington Post

"Crude, direct and without embellishment, Peiró’s novel has become a literary revolution that has put the wind in the sails of all the women who have been in her position. " —El Independiente

"Avoiding stylistic fanfare and with the directness of speech, the book recounts the inside and outside story from both multiple individual perspectives as well as the legal report. Though it is a book that moves us emotionally, López Peiró never forgets that she is telling a tale of terror and her obligation to report the investigation. " —Revista de Letras

»

174,-
Paperback
Sendes innen 7 virkedager

Detaljer

Forlag
Charco Press
Innbinding
Paperback
Språk
Engelsk
Sider
188
ISBN
9781913867805
Utgivelsesår
2024
Format
20 x 13 cm

Anmeldelser

«

"Fearless and distinctive, this is vital reading. " —Publishers Weekly

"Employing direct and crude language, López Peiró writes against the system, against the web of silence that tried to keep her quiet, and against herself. (…) A book that becomes a political act that forces us to look in places we would prefer not to."" —Casa America Catalunya

"An exquisite book, a powerful political intervention. And so necessary. "" —Gabriela Cabezón Cámara , author of THE ADVENTURES OF CHINA IRON

"The map of what happens to us, finally revealed complete. Indispensable."" —Brigitte Vasallo

"A perfect and precise book that tackles macho violence and makes the picture that supports impunity emotionally palpable.” "" —Gabriela Wiener , author of SEXOGRAPHIES and NINE MOONS

"Incredible expressive power. " —La Agenda

"One of the bravest and starkest texts in recent memory." —Infobae

"Those who immerse themselves in the pages of this novel will feel each word like a dagger. The author is explicit: she goes to the bone, writing without holding back. (...) This novel is a cry, a denunciation, but also a way of healing. Belén discovered the possibility of transforming pain and turning her book into an instrument of struggle, containment and support for those who don’t dare to make their own denunciation. " —Feminacida

"López Peiró narrates the experience of sexual abuse that she endured while she goes a young girl. But she doesn’t do so in the first person. Rather, she does it through parallel voices and police statements which allow her to widen out a tragedy that in no case is singular. It is always plural." —Vogue

"Why Did You Come Back Every Summer marks an inflection point in the chronology of autobiographical fiction." —The Washington Post

"Crude, direct and without embellishment, Peiró’s novel has become a literary revolution that has put the wind in the sails of all the women who have been in her position. " —El Independiente

"Avoiding stylistic fanfare and with the directness of speech, the book recounts the inside and outside story from both multiple individual perspectives as well as the legal report. Though it is a book that moves us emotionally, López Peiró never forgets that she is telling a tale of terror and her obligation to report the investigation. " —Revista de Letras

»

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