1. Uncanny semblables and serendipitous publications: T. S. Eliot's The Criterion and The Waste Land and James Joyce's Ulysses
Gabrielle McIntire; 2. Rilke's Duino Elegies and Sonnets to Orpheus Judith Ryan; 3. Odd encounters: from Marcel Proust's Sodome
et Gomorrhe to Albert Cohen's 'Projections ou Apres-Minuit a Geneve' Andre Benhaim; 4. Castle logic: hints in Kafka's novel
Paul North; 5. In or about 1922: Virginia Woolf, Katherine Mansfield, and modern fiction Angeliki Spiropoulou; 6. Anglophones
in Paris: Gertrude Stein and the aesthetics of collaboration Genevieve Abravanel; 7. Circa 1922: art, technology, and the
activated beholder Christine Poggi; 8. Dada, futurism, and Raymond Roussel Jonathan P. Eburne; 9. The beginning and the end:
the formalist paradigm in literary study Alastair Renfrew; 10. Hispanic watershed: 1922 in Latin America Michelle Clayton;
11. Restoration dramas: Hofmannsthal's The Great World Theater of Salzburg and Cocteau's Antigone Matt Wilson Smith; 12. Postwar
new feminisms: May Sinclair and Colette Elizabeth A. Mosimann; 13. Duree et simultaneite and Tractatus Logico-Philosophicus:
time and logic in 1922 Gregg Lambert; 14. Marxism in revolution: Georg Lukacs's History and Class Consciousness and Karl Korsch's
Marxism and Philosophy Adam Takaacs; 15. Principles of Relativity: Whitehead v. Russell Steven Meyer; 16. Modernist political
theologies: Carl Schmitt's Political Theology (1922) and Walter Benjamin's 'Critique of Violence' (1921) Tracy McNulty; 17.
Frazer's The Golden Bough and Malinowski's Argonauts of the Western Pacific: anthropology in 1922 Marc Manganaro.