Pull of Politics
Steinbeck, Wright, Hemingway, and the Left in the Late 1930s
«These three writers are at last placed side by side, revealing how close their mindsets were, yet how different each was from the other. A significant contribution to American literary criticism."" - Earle Bryant, editor of Byline, Richard Wright: Articles from the Daily Worker and New Masses
""Cohen does an admirable job of explicating how these authors responded to the rise of the Popular Front and other leftist movements: Steinbeck’s concern with homegrown fascism, Hemingway's involvement in Loyalist Spain, and Wright's belief that racism reflected fascist impulses."" - Gary Holcomb, co-editor of Hemingway and the Black Renaissance»
In the late 1930s, John Steinbeck, Richard Wright, and Ernest Hemingway wrote novels that won critical acclaim and popular success: The Grapes of Wrath, Native Son, and For Whom the Bell Tolls. All three writers were involved with the Left at the time, and that commitment informed their fiction. Les mer
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In the late 1930s, John Steinbeck, Richard Wright, and Ernest Hemingway wrote novels that won critical acclaim and popular success: The Grapes of Wrath, Native Son, and For Whom the Bell Tolls. All three writers were involved with the Left at the time, and that commitment informed their fiction. Milton Cohen examines their motives for involvement with the Left; their novels' political themes; and why they separated from the Left after the novels were published. These writers were deeply conflicted about their political commitments, and Cohen explores the tensions that arose between politics and art, resulting in the abandonment of a political attachment.
Detaljer
- Forlag
- University of Missouri Press
- Innbinding
- Innbundet
- Språk
- Engelsk
- ISBN
- 9780826221636
- Utgivelsesår
- 2018
- Format
- 23 x 15 cm
Anmeldelser
«These three writers are at last placed side by side, revealing how close their mindsets were, yet how different each was from the other. A significant contribution to American literary criticism."" - Earle Bryant, editor of Byline, Richard Wright: Articles from the Daily Worker and New Masses
""Cohen does an admirable job of explicating how these authors responded to the rise of the Popular Front and other leftist movements: Steinbeck’s concern with homegrown fascism, Hemingway's involvement in Loyalist Spain, and Wright's belief that racism reflected fascist impulses."" - Gary Holcomb, co-editor of Hemingway and the Black Renaissance»