«“Thomas Holcroft’s Revolutionary Drama foregrounds the radicalism and the drama in Holcroft’s striking playwriting career. Interweaving episodes from his biography, staged plays, and public reception of both, Garnai’s book demonstrates Holcroft’s centrality to 1790s London radical culture and what analyses of his plays contribute to discussions of performativity, censorship, and the burdens of cultural transmission in his day and ours. A timely revival of a largely unsung but masterful agitator.”— Julie Carlson, author of England’s First Family of Writers: Mary Wollstonecraft, William Godwin, Mary Shelley
“This striking book restores Thomas Holcroft—often granted a walk-on part in histories of radicalism in the 1790s or of the Jacobin novel—to his important place in theatre history. Garnai reveals a spectacular career in all its complexity and allows Holcroft the curtain call he has long deserved.”— Jon Mee, author of Print, Publicity, and Popular Radicalism in the 1790s: The Laurel of Liberty
“Indicted for high treason, intimately linked to 1790s radicalism, and idealized by Godwinian perfectibility, playwright Thomas Holcroft has been overlooked for too long. His extraordinary life is recovered here in Garnai’s fine study.”— David Worrall, author of Theatric Revolution: Drama, Censorship, and Romantic Period Subcultures, 1773-1832
“Garnai’s wide-ranging and carefully-researched study explores Holcroft’s life and his deeply political work in insightful and thought-provoking ways. Thomas Holcroft’s Revolutionary Drama confirms Holcroft’s important place among the pantheon of radical figures who believed in the power of writing to create lasting social and political change.”— Shawn Lisa Maurer, editor of Art and Nature
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