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Cosmic Connections

Poetry in the Age of Disenchantment

«A grand statement of his lifelong conviction that words are not counters for the exchange of information but are valuable only when they express and shape what we mean and what we value. They should connect us to one another, if not perhaps to the cosmos. Cosmic Connections appears just as gloom is mounting about the commercialized automation of writing, the degradation of political language, and the disintegration of social cohesion. It invites us to consider these pressing evils as connected and to resist them by drawing upon literature to refresh our own speech.»

Michael Ledger-Lomas, Literary Review of Canada

A major new work by Charles Taylor: the long-awaited follow-up to The Language Animal, exploring the Romantic poetics central to his theory of language.

The Language Animal, Charles Taylor's 2016 account of human linguistic capacity, was a revelation, toppling scholarly conventions and illuminating our most fundamental selves. But, as Taylor noted in that work, there was much more to be said. Cosmic Connections continues Taylor's exploration of Romantic and post-Romantic responses to disenchantment and innovations in language. Les mer

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A major new work by Charles Taylor: the long-awaited follow-up to The Language Animal, exploring the Romantic poetics central to his theory of language.

The Language Animal, Charles Taylor's 2016 account of human linguistic capacity, was a revelation, toppling scholarly conventions and illuminating our most fundamental selves. But, as Taylor noted in that work, there was much more to be said. Cosmic Connections continues Taylor's exploration of Romantic and post-Romantic responses to disenchantment and innovations in language.

Reacting to the fall of cosmic orders that were at once metaphysical and moral, the Romantics used the symbols and music of poetry to recover contact with reality beyond fragmented existence. They sought to overcome disenchantment and groped toward a new meaning of life. Their accomplishments have been extended by post-Romantic generations into the present day. Taylor's magisterial work takes us from Hoelderlin, Novalis, Keats, and Shelley to Hopkins, Rilke, Baudelaire, and Mallarme, and on to Eliot, Milosz, and beyond.

In seeking deeper understanding and a different orientation to life, the language of poetry is not merely a pleasurable presentation of doctrines already elaborated elsewhere. Rather, Taylor insists, poetry persuades us through the experience of connection. The resulting conviction is very different from that gained through the force of argument. By its very nature, poetry's reasoning will often be incomplete, tentative, and enigmatic. But at the same time, its insight is too moving-too obviously true-to be ignored.

Detaljer

Forlag
Harvard University Press
Innbinding
Innbundet
Språk
Engelsk
ISBN
9780674296084
Utgivelsesår
2024
Format
24 x 16 cm

Om forfatteren

Charles Taylor is Professor Emeritus in the Department of Philosophy at McGill University. Author of The Language Animal, Sources of the Self, The Ethics of Authenticity, and A Secular Age, he has received many honors, including the Templeton Prize, the Berggruen Prize, and membership in the Order of Canada.

Anmeldelser

«A grand statement of his lifelong conviction that words are not counters for the exchange of information but are valuable only when they express and shape what we mean and what we value. They should connect us to one another, if not perhaps to the cosmos. Cosmic Connections appears just as gloom is mounting about the commercialized automation of writing, the degradation of political language, and the disintegration of social cohesion. It invites us to consider these pressing evils as connected and to resist them by drawing upon literature to refresh our own speech.»

Michael Ledger-Lomas, Literary Review of Canada

«Taylor is a perceptive reader of his poets, and he offers a wonderful synthesis of how poets from the Romantics onward have sought to overcome the ‘disenchanted’ vision of reality…he calls our attention to a way of understanding the Romantic age that makes it appear lively, salient, and worthy of the reader’s contemplation.»

James Matthew Wilson, National Review

«Ostensibly a study of Romantic poetry and music, [this book] is about nothing less than modern life and its discontents, and how we might transcend them.»

Adam Gopnik, New Yorker

«Taylor shows how…poetry…puts readers in contact with experiences of divine harmony, of supernatural order, of a joy which is the direct result of a situated haecceity, which is to say, of the thisness of poetic experience…[this book] dares to treat poetic language as a unique category of communication unto itself that is as distinct as it is elusive to the understanding.»

Matthew Hunter, Chronicle of Higher Education

«A return to form for Taylor…a worthy milestone in an extraordinary career.»

Stevan Veljkovic, European Journal of Social Theory

«At once a meticulously precise examination of Romantic and post-Romantic poetry and, more ambitiously, an urgent call for what we might refer to as ‘poetic realism.’»

Tara Isabella Burton, The Dispatch

«Demonstrates awe-inspiring range and a fundamental belief in the power of art…a broad-ranging, occasionally startling, and often moving book…beautifully argued [and] lovingly rendered.»

Mischa Willett, Gospel Coalition

«A labor of love…a worthy swan song.»

Matt McManus, Christian Socialism

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