Mimetic Theory and Film
«Recognizing a growing interest at the international level, this volume is a timely publication in studies of film, philosophy, and the work of René Girard, exploring with insight and acuity the intersections of mimetic dynamics, sacrifice, and the moving image. Assembling authoritative critical voices on mimetic theory and analysing both classic and recent films, this book shows the hermeneutical and critical productivity of Girard's theoretical insights for film studies. A must-read for anyone in the field.»
Pierpaolo Antonello, Reader in Modern Italian Literature and Culture, University of Cambridge, UK, a
The interdisciplinary French-American thinker René Girard (1923-2015) has been one of the towering figures of the humanities in the last half-century. The title of René Girard's first book offered his own thesis in summary form: romantic lie and novelistic truth [mensonge romantique et vérité romanesque]. Les mer
In addition, Mimetic Theory and Film is a response to the widespread objection that there is no viable “Girardian aesthetics.” One of the main questions that this collection considers is: can we develop a genre-specific mimetic analysis (of film), and are we able to develop anything approaching a “Girardian aesthetic”? Each of the contributors addresses these questions through the analysis of a film.
Detaljer
- Forlag
- Bloomsbury Academic USA
- Språk
- Engelsk
- Sider
- 224
- ISBN
- 9781501334849
- Utgivelsesår
- 2019
Anmeldelser
«Recognizing a growing interest at the international level, this volume is a timely publication in studies of film, philosophy, and the work of René Girard, exploring with insight and acuity the intersections of mimetic dynamics, sacrifice, and the moving image. Assembling authoritative critical voices on mimetic theory and analysing both classic and recent films, this book shows the hermeneutical and critical productivity of Girard's theoretical insights for film studies. A must-read for anyone in the field.»
Pierpaolo Antonello, Reader in Modern Italian Literature and Culture, University of Cambridge, UK, a
«For over fifty years, Rene´ Girard's mimetic theory has given us a startling way of reading texts, especially novels and other classic literature. His approach identifies a strong complicity between 'the sacred' and the violence which is at the root of social and cultural formation. The present volume offers an overdue extension of this hermeneutic, by exploring the mimetic dimension of cinema. However, the essays are far from being a simple mechanical application of Girard's theory. Once again, the remarkable energy and creativity of the Australian circle of Girardian scholars have yielded fresh questions, but also a new fertility, with regard to Girardian theory.»
Michael Kirwan, SJ, Research Associate, School of Advanced Study, University of London, UK, and co-e
«A strong collection of major Girard scholars who persuasively argue for reading film through René Girard's mimetic theory. The introduction by Fleming and Bubbio itself is a valuable guide for extending Girard's ideas. This volume will be of great interest and use for readers in film studies, popular culture, and those following the exciting (re)turn to Girard occurring at Bloomsbury.»
William A. Johnsen, Professor of English, Michigan State University, USA, and editor of Contagion: T